The Other GirlsWhitney, A. D. T. (Adeline Dutton Train)
General
The Other Girls
Whitney, A. D. T. (Adeline Dutton Train)
Family life -- Fiction; Women -- Fiction
All this kept Miss Belinda Bree from utterly wearing out at her dull
work in the great warerooms, or now and then at days' seamstressing
in families. It really keeps a great many people from wearing out.
Miss Bree's work _was_ dull. The days of her early "mantua making"
were over. Twenty years had made things very different in Boston.
The "nice families" had been more quiet then; the quietest of them
now cannot manage things as they did in those days; for the same
reason that you cannot buy old-fashioned "wearing" goods; they are
not in the market. "Sell and wear out; wear out and sell;" that is
the principle of to-day. You must do as the world does; there is no
other path cut through. If you travel, you must keep on night and
day, or wait twenty-four hours and start in the night again.
Nobody--or scarcely anybody--has a dress-maker now, in the old, cosy
way, of the old, cosy sort, staying a week, looking over the
wardrobes of the whole family, advising, cutting, altering,
remaking, getting into ever so much household interest and history
in the daily chat, and listening over daily work: sitting at the
same table; linking herself in with things, spring and fall, as the
leaves do with their goings and comings; or like the equinoxes, that
in March and September shut about us with friendly curtains of rain
for days, in which so much can be done in the big up-stairs room
with a cheerful fire, that is devoted to the rites and mysteries of
scissors and needle. We were always glad, I remember, when our
dress-making week fell in with the equinoctial.
But now, all poor Miss Bree's "best places" had slipped away from
her, and her life had changed. People go to great outfitting stores,
buy their goods, have themselves measured, and leave the whole thing
to result a week afterward in a big box sent home with everything
fitted and machined and finished, with the last inventions and
accumulations of frills, tucks, and reduplications; and at the
bottom of the box a bill tucked and reduplicated in the same modern
proportions.
Miss Bree had now to go out, like any other machine girl, to the
warerooms; except when she took home particular hand-work of button
holes and trimmings, or occasionally engaged herself for two or
three days to some family mother who could not pay the big bills,
and who ran her own machine, cut her own basques and gores, and
hired help for basting and finishing. She had almost done with even
this; most people liked young help; brisker with their needles,
sewing without glasses, nicer and fresher looking to have about.
Poor "Aunt Blin" overheard one man ask his wife in her dressing-room
before dinner, "Why, if she must have a stitching-woman in the
house, she couldn't find a more comfortable one to look at; somebody
a little bright and cheerful to bring to the table, instead of that
old callariper?"
Public-domain text, read in full here on John Shaqi.
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