Murder -- Fiction; San Francisco (Calif.) -- Fiction
I was aware of a greater sense of air and sun than I had had since I
entered the house, of a farther extent of that shining floor, broken by
great opaque oblongs which absorbed light and gave out colors beautiful
and dim; of a uniform even interplay of color upon all sides of me, as
if the walls were hung with tapestry of one pattern; but all I was
really intensely conscious of was a seated figure. She was sitting
almost profile to me, with her back to the light, which fell splendidly
upon the full length of her hair, hanging quite to the floor. She was
wrapped in something silk, of two shifting colors, green and copper,
uncovering the neck and leaving a most beautiful arm bare to the
shoulder. A maid was brushing her hair, bending low with each measured
stroke. At my appearance she straightened, stopped, and stepped back.
It looked really as if she sank away into the shadow; and the Spanish
Woman rose and came toward me, holding out her hand. The colors in her
gown seemed fairly alive, and whether it was really a woven pattern of
copper serpents rushing through green water, or only an accident of my
fancy and the twisted lights, I couldn't determine. But, looking in
her face, I thought, "Oh, surely Mr. Dingley is right. It isn't that
she is ill, but only that she wants to talk with me alone." Like her
hand, her voice was soft and warm.
"You are very kind," she said. There was hardly a trace of accent in
her speech, only a delicate precision that made it delightful. "You
see, I have been sick, and am yet too weak to go out upon the street.
It is why I have given you the trouble to come to me." And still
keeping my hand she led me to a chair and gently, prettily pushed me
into it. There was something persuasive in her very touch. Then,
taking her seat again, "Maria, _prondo_!" she cried; and the maid
coming forward gathered up the mass of hair, twisted it deftly into a
sort of crown around her head, filling it with gold-colored hair-pins,
tucked into its coil a single tuberose; then collecting the combs and
brushes went softly out of the room.
The Spanish Woman sat there, resting her chin in her hand, looking at
me with a pleasant rather smiling expression; and I thought she was a
great deal less overwhelming than I had expected, though she was even
more beautiful. "You have seen Mr. Montgomery?" she began. I thought
it was only a question in form.
I said, "Oh, yes, I first saw him several years ago, dancing at a ball."
She gave me a keen glance. "Yes, and later than that?"
"Then, then," I stammered, for I was at a loss to know whether she knew
what my evidence was to be, "then once or twice on the street, and
yesterday in court."
"Well, and what do you think of him?"
"Why I--I don't know him."
She made an amused little sound in her throat. "Yet you have seen him
three times. Once would have been enough. Surely you can tell me at
least one thing--do you think he looks like a murderer?"
"Oh, no!" I murmured.
Public-domain text, read in full here on John Shaqi.
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