Murder -- Fiction; San Francisco (Calif.) -- Fiction
It was in strange contrast to the neglect of the garden without; and to
my eyes it was novel in character. There were dark portraits in old
gold frames on the wall; curtains shutting out all light, but the
faintest and most colored; mirrors multiplying the tapestries and
marble statues, and seeming to extend the very walls of the room
itself. I kept catching glimpses of figures standing in these delusive
vistas, and then, with a start, realizing they were but myself.
Presently the servant returned. I saw multiple images of him advancing
upon me from all sides as if to surround me. They flitted,
disappeared, and the real presence bowed.
"The Senora wishes to say she is too ill to descend to the _sala_.
Will the Senorita graciously come up-stairs?"
Mr. Dingley turned to me. "That's about as I expected. Then I will
wait for you here."
Involuntarily I took hold of his coat, "But you said I shouldn't go
alone!"
"Oh, of course, of course," he smiled. "I meant I'd come with you to
the house. That's one matter. But to go up-stairs, that's hardly
possible! Don't you see, Miss Ellie," he lowered his voice, "it's
quite probable this is just a ruse to get rid of me? She would hardly
want to speak before a third party."
The reminder that the Spanish Woman was going to speak, and the
probability of what that speech might mean was enough to make me
relinquish Mr. Dingley's coat, and send me in the wake of the
serving-man with almost a light heart.
He led me out of the _sala_, not by the curtained way through which we
had come, but by a door opening on a little entry, and from that up a
stair, which was not at all like the stairway I had seen in the large
entrance hall. I had never been in a house so bewilderingly built. I
followed down halls that dwindled into passageways and so quickly did
my guide move, so far he kept in front of me that even when my blue bow
dropped from my hair pat upon the floor I dared not stoop to pick it up
for fear of losing sight of him. I kept on ascending unexpected little
steps; entered doors that opened abruptly as panels in the wall,
branched off into yet narrower halls, and finally was ushered into what
seemed a sort of anteroom, with only a few chairs furnishing it, and a
great extent of polished floor stretching out in front of me to a
curtain which hung across one whole side of it. There was a sweet
though rather close odor, which wrought powerfully upon my imagination.
Walking cautiously, since the floor seemed as slippery as glass, I
followed my conductor. He drew the curtain aside a little--enough to
let me slip through--said something in Spanish, some one musical word
which I did not understand, and the curtain closed behind me. I stood
there feeling like a doll, absurd, small and lost.
Public-domain text, read in full here on John Shaqi.
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