"The Abbe replied with unalterable good-humour, 'But, in order to criticise the effects of drunkenness, must one get drunk one's self?' Gustave was put out, and retired into a corner of the room, keeping sullen silence till my other visitors left. "Then before I could myself express the pain his words and manner had given me, he said abruptly, 'I wonder how you can tolerate the _tartuferie_ which may amuse on the comic stage, but in the tragedy of these times is revolting.' This speech roused my anger, and the conversation that ensued was the gravest that had ever passed between us. "If Gustave were of stronger nature and more concentrated will, I believe that the only feelings I should have for him would be antipathy and dread. But it is his very weaknesses and inconsistencies that secure to him a certain tenderness of interest. I think he could never be judged without great indulgence by women; there is in him so much of the child, --wayward, irritating one moment, and the next penitent, affectionate. One feels as if persistence in evil were impossible to one so delicate both in mind and form. That peculiar order of genius to which he belongs seems as if it ought to be so estranged from all directions, violent or coarse. When in poetry he seeks to utter some audacious and defying sentiment, the substance melts away in daintiness of expression, in soft, lute-like strains of slender music. And when he has stung, angered, revolted my heart the most, suddenly he subsides into such pathetic gentleness, such tearful remorse, that I feel as if resentment to one so helpless, desertion of one who must fall without the support of a friendly hand, were a selfish cruelty. It seems to me as if I were dragged towards a precipice by a sickly child clinging to my robe.