The path of honor: A tale of the war in the BocageStevenson, Burton Egbert
History
The path of honor: A tale of the war in the Bocage
Stevenson, Burton Egbert
France -- History -- Revolution, 1789-1799 -- Fiction; Love stories
In the first moment I thought the room was empty; then I saw madame
half-sitting, half-lying on a couch in one corner, holding the younger
woman in her arms. As we approached she raised a warning finger to her
lips, and I saw with a sudden burst of tenderness that Charlotte had
fallen asleep.
“Do not disturb her,” warned madame in a low voice; but at that instant
the sleeper opened her eyes.
For a moment she stared up at us blankly; then her eyes met mine and a
wave of crimson swept from brow to chin.
“I have been asleep,” she said, sitting hastily erect. “In spite of all
my boasting,” she added, smiling up at me.
“Yes,” said M. le Comte; “and you should be proud of your steady nerves
and clear conscience, my dear. Not many of us are able to sleep so
peacefully in the face of danger.”
“Danger?” she repeated, and looked about her. “Has it come, then?”
“Oh, not a pressing danger,” he assured her. “Still, we must devise
some means of escape before it becomes so. We shall have to take the
light, I fear.”
“Do so,” said madame promptly. “Charlotte and I will ascend to the
platform.”
“It is not a pleasant sight that you will see,” said M. le Comte, “nor
pleasant words that you will hear----”
“We are not children,” broke in madame. “Come, Charlotte.”
M. le Comte lighted them up the stair and then turned back to me.
“It is evident there is no rope here,” he said, holding the candle
above his head and looking about the apartment. “The old furnishings
hang together better than one would think,” he added.
It was not until then--so occupied had my mind been with other
matters--that I perceived with what sumptuousness the place was
fitted up. The tapestries were faded and dusty, the coverings of the
furniture moth-eaten and decayed, and the room itself cobwebbed and
moldy--but it was impressive, nevertheless. It was of good size,
octagonal, conforming in shape to the tower, and in four of the sides
small, shuttered windows were set. Tapestries and furniture alike had
evidently been of the most costly and elegant description.
“This was the boudoir of the fair Gabrielle,” observed M. le Comte,
looking about him with a smile. “It has been years since I set foot
here and I had forgotten how it looked. You will see that with my
ancestor it was a real passion; he did not spare himself. In fact I
should hate to confess how much, first and last, she cost his family.
Below is her bedchamber.”
Public-domain text, read in full here on John Shaqi.
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