The PhilanderersMason, A. E. W. (Alfred Edward Woodley)
General
The Philanderers
Mason, A. E. W. (Alfred Edward Woodley)
Fiction
'Why?' repeated Clarice slowly, as if she was putting the question to
herself. Then she moved slowly towards the fireplace and seated herself
by the side of it, bent forwards towards its glow, her elbows upon her
knees, her hands propping her chin. Drake gave a sigh of relief, and
Clarice glanced at him in surprise, and turned again to the fire. 'Tell
me your story,' she said, and left his question unanswered.
Drake began; but now that his wish was accomplished, of a sudden all the
reality seemed to fade out of the tragic events he was to recount. His
consciousness became in some queer way centred upon the girl who was
listening, to the exclusion of the subject she was listening to. He was
intensely conscious of her face, of its changing expressions, of the ebb
and flow of the blood from time to time flushing her cheeks and temples,
and of the vivid play of lights and shadows upon them as the flames
danced and sank on the hearth. He noticed, too, with an observation new
to him, and quite involuntary, the details of the room in which he stood,
the white panelling of the walls, the engravings in their frames, the
china ranged upon a ledge near to the ceiling. Of these things his mind
took impressions with the minuteness almost of a camera. They were real
to him at this moment, because they formed the framework and setting of
the girl's face and figure.
But Gorley's crime and his expiation of it became by contrast as remote
to his apprehension in point of all connection with Clarice as they were
in point of locality. He could not realise them to himself as events
which had actually happened and in which he had played a part, and he
spoke in the toneless voice of one who relates a fable of which, through
frequent repetition, he is tired. Instinctively, in order to make the
truth of his story palpable, he began to corroborate it with particulars
which he would otherwise have spared his auditor, but with the same
impersonal accent. He told Clarice of the condition of the village after
Gorley's raid, as he first came within view of it: here the body of a
negro stood pinned upright against the wall of his hut by an assegai
fixing his neck; there another was lying charred upon still-smouldering
embers; and as he saw her turn pale and shudder he almost wondered why.
But in spite of his efforts to appreciate its actuality the incident grew
more unsubstantial the further he progressed in its narration, and he
ended it abruptly.
'Gorley was properly tried,' he said--'his relations testified to
the justice of his trial--and he was executed in accordance with
the verdict.'
Clarice sat motionless after he had ended. Drake watched the flames
sparkle in her gray eyes. At his elbow the clock ticked upon the
mantelshelf spacing the seconds, and the fire was hot upon his limbs.
That dream-world in Africa dissolved to a vapour.
Clarice recalled him to it at last.
Public-domain text, read in full here on John Shaqi.
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