In the time of Mahomet, and shortly before him, the Caaba at Mecca constituted the great sanctuary of Arabian worship. This, if we may so designate it, was a simple chapel of Pagan pilgrimage, which contained the black stone, the object of the religious devotion of the Arabs from a very ancient period. The idolatrous worship of such shapeless or conical blocks of stone was by no means unknown to the wayward genius of ancient Polytheism. We meet with a similar form of idolatry in the mythology of the Greeks, though set off and embellished by the peculiar fancy of that people; and instances of a like kind were to be found in the worship which the neighbouring people of Syria paid to Belus or Baal. Those stones which are frequently mentioned by ancient historians as having fallen from Heaven, may probably have given rise to this peculiar species of idolatry; and the fact itself (as now indeed is often the case with the general traditions of antiquity) is sufficently proved by the existence of those well-known meteor-stones, whose origin, though they have undergone chemical analysis, and mineralogical investigation, still remains, even in the present advanced state of modern science, a problem of no small difficulty. The Arabian tribe from which Mahomet was sprung, had long been intrusted with the care and custody of the Caaba and the black stone, and placed its highest glory in this its allotted dignity. According to the Arabian tradition, Abraham had first erected the Caaba, and the Amalecites had afterwards repaired it. When the tribe of Koreish, who were invested with this high charge, had to rebuild this temple; they were at a loss to know how the sacred black stone should be fixed in the walls, and what hand should touch the consecrated piece, when quite unexpectedly, this honour fell to the lot of Mahomet, then a stripling of fifteen. For this reason we may well suppose that this ancient seat of Arabian worship--the Caaba--produced one of those youthful impressions that determined the future destiny of this extraordinary man. Even in the religious system which he afterwards founded, this ancient sanctuary with its magical stone, has remained in every age a high object of veneration; and it is only in our times that the temple of Mecca has been exposed to the rage of the _Wechabites_, who though their religious fury has taken an opposite course, exhibit the old Arabian character in all its fanatical violence. But this old black stone-idol is a very remarkable feature in the history of Mahomet and of his religion. In the holy temple of the Caaba were kept and suspended the seven most remarkable poems which had won the prize over the other tribe-songs of the Arabs,--a species of poetry peculiar to this people, and breathing all the enthusiasm of pride and hatred. In these compositions, Mahomet held a very distinguished rank, and long before he announced himself as a prophet, his poetry, which far outshone that of his competitors,