The superstitious legends of Martin, the historian of the Western Isles, and the precepts for the practice and governance of this clairvoyance, prove a deep interest and impression, but not a mystery. Among the defiles of Snæfel, in Man, the belief is prevalent: “A Manksman amid his lonely mountains reclines by some romantic stream, the murmurings of which lull him into a pleasing torpor; half-slumbering, he sees a variety of imaginary beings, which he believes to be real. Sometimes they resemble his traditionary idea of fairies, and sometimes they assume the appearance of his friends and neighbours. Presuming on these dreams, the Manks enthusiast predicts some future event.” Here is a local reason, as among the icy mountains of the north. Cheffer writes, that thus influenced, the melancholy of the Laplanders renders them ghost-seers, and the dream and the vision are ever believed by them to be prophetic. CAST. It is the contemplation of these alpine glories, that gilds with so bright a splendour of imagery the romances of mountain poets,—the wild legends of Ossian, and those which spangle, as with sparkling jewels, the pages of the “Lay,” the “Lady of the Lake,” and “Marmion.” It may excite the jealousy of a classic, but the ghosts and heroes of Ossian, as very acute critics decide, are cast in a finer mould than the gods of Homer. You smile at me, most learned clerks of Oxenford, yet I believe the critics are correct. When I was prowling in the king’s private library, in Paris, M. Barbier placed in my hands two of the most precious tomes, the folio “Evangelistarium,” or prayer-book of Charlemagne, and the 4to. edition of Ossian. The one is sanctified by its subject, and rich beyond compare in illuminations of gold and colours, and priceless in the eyes of the bibliomaniac. The other was _the favourite book of Napoleon_. Fancy that you hear him in the solitude of St. Cloud, poring in deep admiration over passages like this: “Fingal drew his sword, the blade of dark-brown Luno. The gleaming path of the steel winds through the gloomy ghost. The form fell shapeless into air, like a column of smoke as it rises from the half-extinguished furnace. The spirit of Loda shrieked, as, rolled into himself, he rose on the wind. Inistore shook at the sound. The waves heard it on the deep, and stopped in their course with fear.” And yet these beauties, like the pictures of Turner, are looked upon with a smile of wondering pity or of scorn, simply because these home-keeping critics have never scaled the mountain, or breasted the storm for its wild and purple glory.