When he had exhausted his memory, he said to himself that there must be
some abstract reason for that sensation. It must be due to the fact that
she was the ideal type of beauty of which he had always dreamed, but
which he had never been able to grasp and produce. That was a poetic
commonplace. He was fain to be content with it for lack of a better.
But the princess was not alone, for she was talking; and Michel soon
discovered that she was tête-à-tête with a man. That was certainly a
reason to impel him to withdraw, but it was difficult to do so. To
preserve the mysterious obscurity of the grotto and exclude the
brilliant light of the ball-room, the entrance had been masked by a
heavy blue velvet curtain, which our inquisitive hero, by the merest
chance, had drawn aside a little way when he entered, without attracting
the attention of the two persons who were talking there. The entrance to
the grotto being only half as wide as the grotto itself, formed a frame,
not of artificial rocks, as would have been the case with us, in our
imitations of _rococo_, but of genuine blocks of lava, vitrified, and of
divers shades of color, curious and valuable specimens collected long
before in the very crater of the volcano to be set like jewels in the
masonry. This beautiful door-frame protruded far enough into the grotto
to conceal Michel, who was able to see because of its uneven surface.
But, in order to go out, he must raise the curtain again, and he could
hardly hope that both the princess and her companion would be
sufficiently engrossed not to notice him.
Michel thought of all this too late to avert the consequences of his
imprudence. It was too late for him to go out naturally, as he had
entered. Moreover he was nailed to his place by the most intense
curiosity and anxiety. Doubtless that man was the princess's lover.
He was a man of about thirty-five years, tall, and with a grave, sweet
face, wonderfully handsome and regular. In his manner, as he sat facing
Agatha at a distance, which indicated something betwixt respect and
intimacy, there was nothing to criticise; but when Michel had recovered
his presence of mind sufficiently to listen to the words that fell upon
his ears, he fancied that he could detect an indication of mutual
affection in this observation of the princess:
"Thank heaven it has not yet occurred to anyone to raise the curtain and
discover this delightful retreat; although I might naturally take some
pride in bringing my guests here,--for it is beautifully decorated
to-night,--I would like to pass the night here all alone, or with you,
marquis, while the fête and the dancing and the tumult run their course
behind the curtain."
The marquis replied, in a tone which did not indicate a presumptuous
man:
Public-domain text, read in full here on John Shaqi.
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