The Pictorial Press: Its Origin and ProgressJackson, Mason
History
The Pictorial Press: Its Origin and Progress
Jackson, Mason
Illustration of books; Newspapers -- Illustrations
caricature may have referred to the influence which the Roman Catholic
Queen was supposed to exercise over the Protestant king under clerical
guidance.
[Illustration: THE PARLIAMENT OF LADIES, 1644.]
Charles I. summoned a Parliament at Oxford in 1644, consisting of such
members of both Houses as were devoted to his interests. There exists a
satirical tract ridiculing this Parliament, and, in fact, representing
it as a Parliament of old women. The tract is entitled '_An exact
Diurnall of the Parliament of Laydes_,' and is illustrated with a
woodcut. It sets forth that 'Countesses and other Ladies (on Monday
morning early in a Prosopopia) being met in Mary Maudlins Hall in
Oxford, they first made choyce of their speaker; and it was agreed by
all that the Lady Oboney should have the chaire, the Lady Rivers was
made Chancellor, Nurse Windham High Constable, the Countess of Derby
High Treasurer, and the Countess of Essex High Chamberlain. These Ladies
having all taken their places, Mrs. Powell was appointed cheefe Clerk
to the House, and Mrs. Peele Chaire Lady to the Close Committee, and
Moll Cut-Purse was made Sergeant at Arms.' Prince Rupert and others are
tried and sentenced for various crimes, but the ladies afterwards
relent, and pardon all the prisoners brought before them. I give on the
preceding page a reduced copy of the rough woodcut which illustrates
this curious burlesque.
[Illustration: CARICATURE, 1644.]
A writer of much verbosity satirised the Assembly of Divines at
Westminster in another illustrated pamphlet, printed 'by Martin
Claw-Clergy for Bartholomew Bang-Priest, and sold in Toleration-street,
at the sign of the Subject's Liberty, opposite to Persecuting Court.'
The author states on the title-page that his production displays 'many
witty Synodian Conceits both pleasant and commodious,' and adorns his
work with the above curious engraving, which probably had some reference
to a Papal Bull, but at this distance of time we look in vain for the
point and meaning of many of these old caricatures.
Having glanced at the satirical side of illustrated journalism at the
epoch of the Civil War, I will quote two or three examples relating to
the social and political condition of the country before entering upon
the stirring events of that time.
Public-domain text, read in full here on John Shaqi.
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