Art objects -- Collectors and collecting; Collectors and collecting
In the William and Mary period (1688-1702) cabinets, secrétaires, and
bureaus came rapidly into use. Simplicity and an unobtrusive elegance
marked the designs of this period. The desks displayed distinct
characteristics which differentiate several groups. In the first
division may be placed the cabinet with bracket (straight) feet or bun
feet; a whole front flap, which when let down displayed the drawers and
the pigeonholes; a top either single-hooded or straight with ovolo
frieze. In the second division we have the bureau-desk with its
slant-top desk-plane. Here we find the taller desk styles, sometimes
with double-hooded tops, with or without vase-shaped finials. The third
division includes the narrow slant-top desks on cup-turned legs, flat
stretchers, and bun feet. The knee-hole desks (desks with the center
portion arranged to permit the knees of the writer to go below the
desk-plane) constitute the fourth division, while a fifth sort of desk
had gate-legs braced by serpentine flat stretchers. The two center legs
(there were six in all), pulled out as a support for the desk-flap when
its plane was let down.
In the William and Mary period and in the Queen Anne period succeeding,
the middle classes had come to a state of education undreamed of in the
time of Elizabeth. Letter-writing, pamphlet-writing, and diary entries
occupied many hours of the day and many candle-lit ones as well. This
scriptorial activity called for more accessories than had been needed
earlier. These newly devised bureau-desks combined solidity and dignity.
They were distinctly architectural in design, with their moldings,
cornices, and broken pediments. _Bombé_ fronts came in with the Dutch
influence. Walnut was the favorite wood employed, either solid or as a
veneer for the wood bases.
The furniture-makers of the time of George I were beginning to find a
demand, and to supply it, for writing-tables with tiers of drawers at
each side of the knee-hole. From about 1720 mahogany entered into
furniture-making extensively. Its use by the American furniture-makers
in the colonies was coincident with, and possibly antedated, lacquer,
which had been the rage and as a fashionable fad continued to hold the
popular favor.
Of course, no writing-furniture is more eagerly sought than that of
Chippendale. There were the writing-tables with bombé fronts, the
bureaus, standing on legs that supported low bases, the bureau-bookcase
style of desk (bureau-desk), the slant-top secrétaires, etc. In American
desks of the period we find the block-front to have been very popular.
The writing-furniture of the brothers Adam exhibited the originality and
excellence common to their other articles. They introduced the more
general use of satinwood and others of the lighter-colored woods, and a
contour of line in design that struck a new note. Painted ornament, too,
was used by them more extensively than ever before it had been used in
English furniture.
Public-domain text, read in full here on John Shaqi.
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