_TCC_ is a smaller manuscript than _TCD_, but seems to be written in the same clear, fine hand. It does not contain the _Satyres_, the Elegy (XI. in this edition) _The Bracelet_, and the epistles _The Storme_ and _The Calme_, with which _N_ and _TCD_ open. It looks, however, as though the sheets containing these poems had been torn out. Besides these, however, _TCC_ omits, without any indication of their being lost, an _Elegie to the Lady Bedford_ ('You that are she'), the Palatine Epithalamion, a long series of letters[21] which in _N_, _TCD_ follow that _To M.M.H._ and precede _Sapho to Philaenis_, the elegies on Prince Henry and on Lord Harington, and _The Lamentations of Jeremy_. There are occasional differences in the grouping of the poems; and _TCC_ does not contain some poems by Beaumont, Corbet, Sir John Roe, and Sir Thomas Overbury which are found in _N_ and _TCD_. In _TCD_ these, with the exception of that by Beaumont, are carefully initialled, and therefore not ascribed to Donne. In _N_ these initials are in some cases omitted; and some of the poems have found their way into editions of Donne's poems. Presumably _TCC_ is the earlier collection, and when _TCD_ was made, the copyist was able to add fresh poems. It is clear, however, that in the case of even those poems which the two have in common, the one manuscript is not simply a copy of the others. There are several divergences, and the mistake referred to above, in 'Sweetest Love, I do not go', is not made in _TCC_. Strangely enough, a similar mistake is made by _TCC_ in transcribing _Loves Deitie_ and is reproduced in _A18_. _A18_, indeed, would seem to be a copy of _TCC_. It is not in the same handwriting, but in secretary hand. It omits the opening _Satyres_, &c., as does _TCC_, but there is no sign of excision. Presumably, then, the copy was made after these poems were, if they ever were, torn out of _TCC_. Wherever _TCC_ diverges from _TCD_, _A18_ follows _TCC_.[22]