The partnership with Greenleaf, mentioned to Madison, for some reason was never consummated. On March 13, 1797, however, Freneau issued in New York the first number of a new journal, _The Time Piece and Literary Companion_, to be devoted to "literary amusement and an abridgement of the most interesting intelligence foreign and domestic." He "associated himself," as he expressed it, "as a partner in the typographical line of business with Mr. Alexander Menut of that profession, sometime since from Canada," though, during the first year at least, Freneau had entire control of the editing of the paper. His address to the public is of considerable interest: "Several months having elapsed since the publication of a periodical paper in this city was first contemplated by the subscriber, he now informs his friends and the public in general that he has at length so far matured his plan as to attempt a paper of this kind to be published three times a week and transmitted to city subscribers early on Monday, Wednesday, and Friday mornings. "The _Time Piece and Literary Companion_ will on all occasions be open to political, moral, or other interesting discussion from any quarter whatever provided such communications are written with candor, decency, and liberality, their object such as to promote the general good of our great Confederate Commonwealth, or the common interest of man, and conceived in that disinterested spirit which while it carefully avoids as far as possible irritating the feelings of individuals, holds itself obligated under any circumstances whatever to consider truth, the moral and political happiness of our species, social harmony, and good order, the basis of all its exertions, the end of all its aims, views and endeavors." The paper is a tastily arranged and neatly printed sheet, and its contents show constantly its editor's rare ability to cater to the public needs. Refinement and a fastidious taste are evidenced everywhere in its columns. Duyckinck comments on "the skill of the selection and the general elegance of the material," which were certainly unusual in those early days of American journalism. The paper had a large number of feminine contributors, who gave freely of their sentimental lyrics and sprightly letters. The poet himself contributed many poems, the most of them, as usual, concerned with contemporary affairs. He republished his translation from the Abbé Robin made in 1783 since, as he declared, only a small edition was then printed, and the work was in the hands of a very few. He republished also his "Tomo Cheeki" letters, introducing them thus: