The Poet at the Breakfast-TableHolmes, Oliver Wendell
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The Poet at the Breakfast-Table
Holmes, Oliver Wendell
American fiction -- 19th century; Conversation -- Fiction; Poetry
--I paid the respect due to that most significant monosyllable, which,
as the old Rabbi spoke it, with its targum of tone and expression, was
not to be answered flippantly, but soberly, advisedly, and after a pause
long enough for it to unfold its meaning in the listener's mind. For
there are short single words (all the world remembers Rachel's Helas!)
which are like those Japanese toys that look like nothing of any
significance as you throw them on the water, but which after a little
time open out into various strange and unexpected figures, and then you
find that each little shred had a complicated story to tell of itself.
-Yes,--said I, at the close of this silent interval, during which the
monosyllable had been opening out its meanings,--She. When I think of
talking, it is of course with a woman. For talking at its best being an
inspiration, it wants a corresponding divine quality of receptiveness;
and where will you find this but in woman?
The Master laughed a pleasant little laugh,--not a harsh, sarcastic one,
but playful, and tempered by so kind a look that it seemed as if every
wrinkled line about his old eyes repeated, “God bless you,” as the
tracings on the walls of the Alhambra repeat a sentence of the Koran.
I said nothing, but looked the question, What are you laughing at?
--Why, I laughed because I couldn't help saying to myself that a woman
whose mind was taken up with thinking how she looked, and how her pretty
neighbor looked, wouldn't have a great deal of thought to spare for all
your fine discourse.
--Come, now,--said I,--a man who contradicts himself in the course of
two minutes must have a screw loose in his mental machinery. I never
feel afraid that such a thing can happen to me, though it happens often
enough when I turn a thought over suddenly, as you did that five-cent
piece the other day, that it reads differently on its two sides. What I
meant to say is something like this. A woman, notwithstanding she is the
best of listeners, knows her business, and it is a woman's business to
please. I don't say that it is not her business to vote, but I do say
that a woman who does not please is a false note in the harmonies of
nature. She may not have youth, or beauty, or even manner; but she must
have something in her voice or expression, or both, which it makes you
feel better disposed towards your race to look at or listen to. She
knows that as well as we do; and her first question after you have been
talking your soul into her consciousness is, Did I please? A woman never
forgets her sex. She would rather talk with a man than an angel, any
day.
--This frightful speech of mine reached the ear of our Scheherezade, who
said that it was perfectly shocking and that I deserved to be shown up
as the outlaw in one of her bandit stories.
Public-domain text, read in full here on John Shaqi.
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