Through every scene of ridicule in things
To lead the tenor of my devious lay;
Through every swift occasion, which the hand
Of Laughter points at, when the mirthful sting
Distends her sallying nerves and chokes her tongue;
What were it but to count each crystal drop
Which Morning's dewy fingers on the blooms
Of May distil? Suffice it to have said, [Endnote FF]
Where'er the power of Ridicule displays
Her quaint-eyed visage, some incongruous form, 250
Some stubborn dissonance of things combined,
Strikes on the quick observer: whether Pomp,
Or Praise, or Beauty, mix their partial claim
Where sordid fashions, where ignoble deeds,
Where foul Deformity are wont to dwell;
Or whether these with violation loathed,
Invade resplendent Pomp's imperious mien,
The charms of Beauty, or the boast of Praise.
Ask we for what fair end, [Endnote GG] the Almighty Sire
In mortal bosoms wakes this gay contempt, 260
These grateful stings of laughter, from disgust
Educing pleasure? Wherefore, but to aid
The tardy steps of Reason, and at once
By this prompt impulse urge us to depress
The giddy aims of Folly? Though the light
Of Truth slow dawning on the inquiring mind,
At length unfolds, through many a subtile tie,
How these uncouth disorders end at last
In public evil! yet benignant Heaven,
Conscious how dim the dawn of truth appears 270
To thousands; conscious what a scanty pause
From labours and from care, the wider lot
Of humble life affords for studious thought
To scan the maze of Nature; therefore stamp'd
The glaring scenes with characters of scorn,
As broad, as obvious, to the passing clown,
As to the letter'd sage's curious eye.
Public-domain text, read in full here on John Shaqi.
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