The Poetical Works of William Wordsworth — Volume 4 (of 8)Wordsworth, William
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The Poetical Works of William Wordsworth — Volume 4 (of 8)
Wordsworth, William
English poetry -- 18th century; English poetry -- 19th century
About twelve years after the last visit of Wordsworth to Coleorton,
referred to in the Fenwick note--of which the date should, I think, be
1842, not 1841--this cedar tree fell, uprooted during a storm. It was,
however, as the Coleorton gardener who was then on the estate told me,
replanted with much labour, and protected with care; although, the top
branches being injured, it was never quite the same as it had been.
During the night of the great storm on the 13th October 1880, however,
it fell a second time, and perished irretrievably. The memorial stone
remains, injured a good deal by the wear and tear of time; and the
inscription is more than half obliterated. It is in a situation much
more exposed to the elements than the other two inscriptions at
Coleorton. He
who sang how spear and shield
In civil conflict met on Bosworth-field,
was Sir John Beaumont, the brother of the dramatist, who wrote a poem on
the battle of Bosworth. (See one of Wordsworth's notes to the _Song at
the Feast of Brougham Castle_, p. 84.) The
famous Youth, full soon removed
From earth,
was Francis Beaumont, the dramatist, who wrote in conjunction with
Fletcher. He died at the age of twenty-nine.
In an undated letter addressed to Sir George Beaumont, Wordsworth wrote,
"I like your ancestor's verses the more, the more I see of them. They
are manly, dignified, and extremely harmonious. I do not remember in any
author of that age such a series of well-tuned couplets."
In another letter written from Grasmere (probably in 1811) to Sir
George, he says in reference to his own poems, "These inscriptions have
all one fault, they are too long; but I was unable to do justice to the
thoughts in less room. The second has brought Sir John Beaumont and his
brother Francis so livelily to my mind that I recur to the plan of
republishing the former's poems, perhaps in connection with those of
Francis."
Public-domain text, read in full here on John Shaqi.
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