The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National CharacterRuskin, John
Philosophy
The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National Character
Ruskin, John
Architecture
Secondly. In all hill scenery, though there is increase of size, there
is want of distance. We are not speaking of views from summits, but of
the average aspect of valleys. Suppose the mountains be 10,000 feet
high, their summit will not be more than six miles distant in a direct
line: and there is a general sense of confinement, induced by their
wall-like boundaries, which is painful, contrasted with the wide
expatiation of spirit induced by a distant view over plains. In ordinary
countries, however, where the plain is an uninteresting mass of
cultivation, the sublimity of distance is not to be compared to that of
size: but, where every yard of the cultivated country has its tale to
tell; where it is perpetually intersected by rivers whose names are
meaning music, and glancing with cities and villages every one of which
has its own halo round its head; and where the eye is carried by the
clearness of the air over the blue of the farthest horizon, without
finding one wreath of mist, or one shadowy cloud, to check the
distinctness of the impression; the mental emotions excited are richer,
and deeper, and swifter than could be awakened by the noblest hills of
the earth, unconnected with the deeds of men.
Lastly. The plain country of Italy has not even to choose between the
glory of distance and of size, for it has both. I do not think there is
a spot, from Venice to Messina, where two ranges of mountain, at the
least, are not in sight at the same time. In Lombardy, the Alps are on
one side, the Apennines on the other; in the Venetian territory, the
Alps, Apennines and Euganean hills; going southward, the Apennines
always, their outworks running far towards the sea, and the coast itself
frequently mountainous. Now, the aspect of a noble range of hills, at a
considerable distance, is, in our opinion, far more imposing (considered
in the abstract) than they are, seen near: their height is better told,
their outlines softer and more melodious, their majesty more mysterious.
But, in Italy, they gain more by distance than majesty: they gain life.
They cease to be the cold forgetful things they were; they hold the
noble plains in their lap, and become venerable, as having looked down
upon them, and watched over them forever, unchanging; they become part
of the picture of associations: we endow them with memory, and then feel
them to be possessed of all that is glorious on earth.
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