British -- India -- Fiction; India -- Social life and customs -- Fiction; Women -- India -- Fiction
I went of course to Calcutta for the four winter months. Harris and I
were together at the Club. It was the year, I remember, of the great
shindy as to whether foreign consuls should continue to be made
honourary members, in view of the sentiments some of them were freely
reflecting from Europe upon the subject of a war in South Africa which
was none of theirs. Certainly, feeling as they did, it would have been
better if they had swaggered less about a club that stood for British
Government; but I did not vote to withdraw the invitation. We can not,
after all, take notice of every idle word that drops from Latin or
Teutonic tongues; it isn’t our way; but it was a liverish cold weather
on various accounts, and the public temper was short. I heard from Dora
oftener, Harris declared, than he did. She was spending the winter
with friends in Agra, and Armour, of course, was there too, living at
Laurie’s Hotel, and painting, Dora assured me, with immense energy.
It was just the place for Armour, a sumptuous dynasty wrecked in white
marble and buried in desert sands for three hundred years; and I was
glad to hear that he was making the most of it. It was quite by the way,
but I had lent him the money to go there--somebody had to lend it to
him--and when he asked me to decide whether he should take his passage
for Marseilles or use it for this other purpose I could hardly hesitate,
believing in him, as I did, to urge him to paint a little more of India
before he went. I frankly despaired of his ever being able to pay his
way in Simla without Kauffer, but that was no reason why he should not
make a few more notes for further use at home, where I sometimes saw
for him, when his desultory and experimental days were over and some
definiteness and order had come into his work, a Bond Street exhibition.
Public-domain text, read in full here on John Shaqi.
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