British -- India -- Fiction; India -- Social life and customs -- Fiction; Women -- India -- Fiction
Out in the veranda, away from the blare of the Viceroy’s band, she told
me very delicately and with the most charming ellipses how Armour had
been filling her life in Agra, how it had all been, for these two, a
dream and a vision. There is a place below the bridge there, where the
cattle come down from the waste pastures across the yellow sands to
drink and stand in the low water of the Jumna, to stand and switch their
tails while their herdsmen on the bank coax them back with ‘Ari!’ ‘Ari!’
‘Ari!’ long and high, faint and musical; and the minarets of Akbar’s
fort rise beyond against the throbbing sky and the sun fills it all.
This place I shall never see more distinctly than I saw it that night on
the veranda at Government House, Calcutta, with the conviction, like a
margin for the picture, that its foreground had been very often occupied
by the woman I profoundly worshiped and Ingersoll Armour. She told me
that he had sent me a sketch of it, and I very much wished he hadn’t.
One felt that the gift would carry a trifle of irony.
‘He has told me,’ she said once brusquely, ‘how good you have been to
him.’
‘Is he coming to Simla again?’ I asked.
‘Oh yes! And please take it from me that this time he will conquer the
place. He has undertaken to do it.’
‘At your request?’
‘At my persuasion--at my long entreaty. They must recognize him--they
must be taught. I have set my heart on it.’
‘Does he himself very much care?’ I asked remembering the night of the
thirty-first of October.
‘Yes, he does care. He despises it, of course, but in a way he cares.
I’ve been trying to make him care more. A human being isn’t an orchid;
he must draw something from the soil he grows in.’
‘If he were stable,’ I mused; ‘if he had a fixed ambition somewhere in
the firmament. But his purpose is a will-o’-the-wisp.’
‘I think he has an ambition,’ said Miss Harris, into the dark.
‘Ah! Then we must continue,’ I said--‘continue to push from behind.’
Dora did not reply. She is a person of energy and determination, and
might have been expected to offer to cooperate gladly. But she didn’t.
‘He is painting a large picture for next season’s exhibition,’ she
informed me. ‘I was not allowed to see it or to know anything about it,
but he declares it will bring Simla down.’
‘I hope not,’ I said, piously.
‘Oh, I hope so. I have told him,’ Dora continued, slowly, ‘that a great
deal depends on it.’
‘Here is Mrs. Symons,’ I was able to return, ‘and I am afraid she is
looking for you.’
Public-domain text, read in full here on John Shaqi.
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