The Posthumous Works of Thomas De Quincey, Vol. 2De Quincey, Thomas
General
The Posthumous Works of Thomas De Quincey, Vol. 2
De Quincey, Thomas
English essays
[6] '_Science not always fathomable._' Several distinguished Frenchmen
have pursued a course of investigations into these fenestral phenomena,
which one might call the _Fata Morgana of Frost_; and, amongst these
investigators, some--not content with watching, observing,
recording--have experimented on these floral prolusions of nature by
arranging beforehand the circumstances and conditions into which and
under which the Frost Fairy should be allowed to play. But what was the
result? Did they catch the Fairy? Did they chase her into her secret
cells and workshops? Did they throw over the freedom of her motions a
harness of net-work of coercion as the Pagans over their pitiful
Proteus? So far from it, that the more they studied the less they
understood; and all the traps which they laid for the Fairy, did but
multiply her evasions.
[7] The passage occurs at p. 354, vol. ii. of the _Lectures_; and we now
find, on looking to the place, that the illustration is drawn from 'a
dell of lazy Sicily.' The same remark has virtually been anticipated at
p. 181 of the same volume in the rule about 'converting mere
abstractions into persons.'
[8] It is true that Mr. De Quincey _did_ make the mistake of supposing
Coleridge to have 'calculated on' a remark which Mrs. Coleridge justly
characterises as a blind one. It _was_ blind as compared with the fact
resulting from grounds not then known; else it was _not_ blind as a
reasonable inference under the same circumstances.
[9] If for the words 'more than fifteen years' we say sixteen or
seventeen, as Coleridge died in 1834, this article would be written in
1850 or 1851.--ED.
[10] 'The Saintly Herbert,' the brother, oddly enough, of the brilliant
but infidel Lord Herbert of Cherbury; which lord was a versatile man of
talent, but not a man of genius like the humble rustic--his unpretending
brother.
[11] In saying this, Coleridge unduly disparaged his own personal
advantages. In youth, and before sorrow and the labour of thought had
changed him, he must have been of very engaging appearance. The _godlike
forehead_, which afterwards was ascribed to him, could not have been
wanting at any age. That exquisite passage in Wordsworth's description
of him,
'And a pale face, that seem'd undoubtedly
As if a blooming face it ought to be,'
Public-domain text, read in full here on John Shaqi.
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