English literature; Shakespeare, William, 1564-1616 -- Appreciation
His _characters_ are so much Nature herself, that ’tis a sort of injury
to call them by so distant a name as copies of her. Those of other
poets have a constant resemblance, which shows that they received them
from one another, and were but multipliers of the same image; each
picture, like a mock rainbow, is but the reflection of a reflection.
But every single character in Shakespeare is as much an individual as
those in life itself; it is as impossible to find any two alike; as
such as from their relation or affinity in any respect appear most to
be twins, will upon comparison be found remarkably distinct. To this
life and variety of character we must add the wonderful preservation of
it, which is such throughout his Plays, that, had all the speeches been
printed without the very names of the persons, I believe one might have
applied them with certainty to every speaker.
The power over our passions was never possessed in a more eminent
degree, or displayed in so different instances. Yet all along there is
seen no labour, no pains to raise them; no preparation to guide our
guess to the effect, or be perceiv’d to lead toward it; but the heart
swells, and the tears burst out, just at the proper places. We are
surprised the moment we weep; and yet upon reflection find the passion
so just, that we should be surprised if we had not wept, and wept at
that very moment.
How astonishing is it, again, that the passions directly opposite to
these, laughter and spleen, are no less at his command! that he is not
more a master of the _great_ than of the _ridiculous_ in human nature;
of our noblest tendernesses, than of our vainest foibles; of our
strongest emotions, than of our idlest sensations!
Nor does he only excel in the passions: in the coolness of reflection
and reasoning he is full as admirable. His _sentiments_ are not only
in general the most pertinent and judicious upon every subject; but by
a talent very peculiar, something between penetration and felicity,
he hits upon that particular point on which the bent of each argument
turns, or the force of each motive depends. This is perfectly amazing,
from a man of no education or experience in those great and public
scenes of life which are usually the subject of his thoughts: so that
he seems to have known the world by intuition, to have looked through
human nature at one glance, and to be the only author that gives ground
for a very new opinion: That the philosopher, and even the man of the
world, may be _born_, as well as the poet.
Public-domain text, read in full here on John Shaqi.
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