Feminist fiction; Women -- Social and moral questions -- Fiction; Young women -- Fiction
He nodded gratefully. After all, while she lived, he could not be
utterly bereft.
X
He had taken her home and was leaving, when a carriage passed him. He
could hear the voices of the occupants--the brisk accents of Mrs.
Barsaloux, and the slow, honey-rich tones of Marna. He had never dreamed
that he could do such a thing, but he ran forward with an almost frantic
desire to rest his eyes upon the girl's face, and he was beside the curb
when the carriage drew up at the door of the house where Mrs. Barsaloux
and Marna lodged. He flung open the door in spite of the protests of the
driver, who was not sure of his right to offer such a service, and held
out his hand to Mrs. Barsaloux. That lady accepted his politeness
graciously, and, weary and abstracted, moved at once toward the
house-steps, searching meantime for her key. Fitzgerald had fifteen
seconds alone with Marna. She stood half-poised upon the carriage-steps,
her hand in his, their eyes almost on a level. Then he said an
impossible and insane thing. It was wrung out of his misery, out of his
knowledge of her loveliness.
"I've lost you!" he whispered. "Do you know that to-night ended my
happiness?"
Mama's lips parted delicately; her eyes widened; her swift Celtic spirit
encompassed his grief.
"Oh!" she breathed. "Don't speak so! Don't spoil my beautiful time!"
"Not I," he retorted sharply, speaking aloud this time. "Far be it from
me! Good-bye."
Mrs. Barsaloux heard him vaguely above the jangling of coins and keys
and the rushing of a distant train.
"You're not going to leave town, are you, Dr. Fitzgerald?" she inquired
casually. "I thought your good-bye had a final accent to it."
She was laughing in her easy way, quite unconscious of what was taking
place. She had made an art of laughing, and it carried her and others
over many difficult places. But for once it was powerless to lessen the
emotional strain. Mysteriously, Fitzgerald and Marna were experiencing a
sweet torment in their parting. It was not that she loved him or had
thought of him in that way at all. She had seen him often and had liked
his hearty ways, his gay spirits, and his fine upstanding figure, but he
had been as one who passed by with salutations. Now, suddenly, she was
conscious that he was a man to be desired. She saw his wistful eyes, his
avid lips, his great shoulders. The woman in her awoke to a knowledge of
her needs. Upon such a shoulder might a woman weep, from such eyes might
a woman gather dreams; to allay such torment as his might a woman give
all she had to give. It was incoherent, mad, but not unmeaning. It had,
indeed, the ultimate meaning.
He said nothing more; she spoke no word. Each knew they would meet on
the morrow.
Public-domain text, read in full here on John Shaqi.
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