The Preface to the Aeneis of Virgil (1718)Trapp, Joseph
History
The Preface to the Aeneis of Virgil (1718)
Trapp, Joseph
Aeneas (Legendary character) -- In literature; Epic poetry, Latin -- History and criticism; Rome -- In literature; Virgil. Aeneis
Who that hears This, can think it wants Rhime to recommend it? Or rather
does not think it sounds far better without it? I purposely produced a
Citation, beginning and ending in the Middle of a Verse; because the
Privilege of resting on this, or that Foot, sometimes one, and sometimes
another, and so diversifying the Pauses, and Cadences, is the greatest
Beauty of Blank Verse, and perfectly agreeable to the Practice of our
Masters, the _Greeks_, and _Romans_. This can be done but rarely in
Rhime: For if it were frequent, the Rhime would be, in a manner, lost by
it: The End of almost every Verse must be something of a Pause; and it
is but seldom that a Sentence begins in the Middle. The same may be said
of placing the Verb after the Accusative Case; and the Adjective after
the Substantive; both which, especially the last, are more frequent in
Blank Verse, than in Rhime. This Turn of Expression likewise is
agreeable to the Practice of the Ancients; and even in our own Language
adds much to the Grandeur, and Majesty of the Poem, if it be wrought
with Care, and Judgment. As does also the judicious interspersing (for
_judicious_, and _sparing_ it must be) of _antique_ Words, and of such
as, being derived from _Latin_, retain the Air of That Language: Both
which have a better Effect in Blank Verse, than in Rhime; by Reason of a
certain Majestick Stiffness, which becomes the one, more than the other.
_Milton_ indeed has, I think, rather too much of This: And perhaps the
most ingenious Mr. _Philips_ has too much imitated him in it; as he has
certainly well nigh equalled him in his most singular Beauties. I speak
of this Stiffness only in some particular Passages, for which it is
proper: For Blank Verse, when it pleases, can be as smooth, as soft, and
as flowing, as Rhime. Now these Advantages alone (were there no other)
which Blank Verse has above Rhime, would more than compensate for the
Loss of that Pleasure which comes from the Chiming of Syllables; the
former, by reason of those Advantages, being, all things considered,
even more musical, and harmonious, as well as more noble, and sublime,
than the latter.
Upon Varying the Pauses it is to be observed, that Two Verses together
should rarely pause at the same Foot; for a Reason too plain to be
mentioned. I said _rarely_; because there is no Law so strict in Things
of This Nature, but that it is sometimes a Vertue to break it. And tho'
it be one great Privilege in this sort of Verse, to make a full Period
at the Beginning, or in the Middle of a Line; yet you may do it too
often. _Milton_, I think, does so; who sometimes gives you thirty, or
forty Verses together, not one of which concludes with a full Period.
But to return to our Comparison.
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