The Preface to the Aeneis of Virgil (1718)Trapp, Joseph
History
The Preface to the Aeneis of Virgil (1718)
Trapp, Joseph
Aeneas (Legendary character) -- In literature; Epic poetry, Latin -- History and criticism; Rome -- In literature; Virgil. Aeneis
gross, and horrid for _Virgil_'s Meaning in that Place. V. 233. After,
_Two Rows of Rocks_ (which, by the way, is no Translation of _geminique
minantur in coelum scopuli_) the next Words are totally omitted;
_Quorum sub vertice late Æquora tuta silent_. V. 459. _Then on your Name
shall wretched Mortals call_, is not included in _Multa tibi ante aras
nostra cadet hostia dextra_. He is speaking of _himself_, and his
_Friends_ in particular; not of _wretched Mortals_ in general; of
_Thanksgiving_, not of _Prayer_. V. 886.----_You shall find, If not a
costly Welcome, yet a kind_, is no more in _Virgil_, than it is like his
Stile. But as for the _Flatnesses_, and low _prosaick_ Expressions,
which are not a few, and which even the Rhime neither covers, nor
excuses; I will for several Reasons forbear to transcribe any of them.
These _Errata_ which I have mentioned in the First Book only, (and there
are in it many more such, which I have not mentioned) are either in
_adding to_, or _curtailing_, or _mistaking_ the Sense of the Original.
But upon the Article of adding to his Author, and altering his Sense,
there is one Fault in Mr. _Dryden_ which is not to be pardoned. I mean
when he does it directly contrary not only to the _Sense_, but to the
_Temper_ and _Genius_ of his Author; and that too in those Instances
which injure him not only as a _good Poet_, but as a _good Man_. As
_Virgil_ is the most chaste, and modest of Poets, and has ever the
strictest Regard to Decency; after the Prayer of _Iarbas_ to _Jupiter_
in the Fourth Book, he proceeds thus:
_Talibus orantem dictis, arasque tenentem
Audiit omnipotens; oculosque ad mœnia torsit
Regia, &_ oblitos famæ melioris amantes.
What could be more well-mannered, more delicate, and truly _Virgilian_,
than the Sweetness, and Softness of that remote, insinuating Expression,
_oblitos famæ melioris amantes_? For this Piece of a Verse Mr. _Dryden_
gives us Three entire ones; which I will not transcribe. The two first
are totally his own; and to One who is not himself _insensible of
Shame_, those fulsom Expressions must be very nauseous. Part of the last
Verse indeed is _Virgil_'s; and it comes in strangely, after the odious
Stuff that goes before it. If _Virgil_ can be said to be remarkable for
any one good Quality more than for Modesty, it is for his awful
Reverence to Religion. And yet, as Mr. _Dryden_ represents him
describing _Apollo_'s Presence at one of his own Festivals, he speaks
Thus; Book iv. V. 210.
_Himself, on Cynthus walking, sees below
The merry Madness of the sacred Show._
Public-domain text, read in full here on John Shaqi.
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