Phyllys demurred, for she had hitherto devoted the better part of her
mornings to the studio. It would not do, however, to be at the beck and
call of Colin. Her proud spirit rose in protest, all the more because
she had felt his power.
"I should like a walk," she said demurely; and Giles' face, growing
rigid under her hesitation, lighted anew. She could not but see the
change.
"Then I may reckon on you," he said, and his look was eloquent.
Friends still! That was what it uttered.
She gave one slight flash, and ran off. With regard to him, as
with regard to Colin, questioning arose. Was it with the one only
artist-interest? Was it with the other only friendship?
Phyllys made no attempt to find a reply. She knew that it was
delightful, after years of snubbing, to find herself the object of so
much attention.
Reaching Mrs. Keith's bedroom, her recollections were confused. A black
oak cabinet, unlocked—so much remained. Turning to the left, she pulled
the door of the cabinet on that side, and it opened. Within she saw no
crimson silk. A pile of shawls and cloaks had been heaped together in
the space below; and she disturbed the pile, pulling it out, searching
for the silk. So doing, she came on something behind; a half-length
portrait in a black frame. A pair of blue eyes, dreamy, observant, met
her own. "How like!" she exclaimed.
The style of dress belonged to a bygone period, and the face as a whole
was hardly that of Colin. It was a resemblance less of form and colour
than of the spirit which gleamed through.
"Some near relation," she conjectured. "But why keep it hidden here?"
Convinced that the silk was not within the cabinet, she restored the
portrait, piled the clothes as before, and tried to shut the door.
Then she saw that it had been locked, and that the hasp had failed to
catch. No key was visible. She recollected Mrs. Keith's words, "On the
'right' side as you go in." This cabinet stood on the left.
She went to the second cabinet, found that to be genuinely unlocked,
and saw the crimson silk. She caught it up and ran downstairs.
"I'm sorry to have been so long," she said. "I opened the wrong cabinet
by mistake. Somebody had locked it in a hurry, and had not shut it
first. I forgot all about right and left, and wasted time hunting.
I could not help noticing the oil-painting under the things. It has
such a look of Colin. A young man, in a queer old-fashioned dress. I
wondered whether it might be Colin's grandfather, and whether he was
dressed for theatricals." She stopped; for Mrs. Keith's face had grown
colourless.
"Are you faint?" she asked. "May I get anything for you?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account