character was what it easily might be she would perceive it as soon as he, and very likely it would be a part of the general initiation she had given him an impression of that she wouldn’t mind so long as the tea was strong and the bread and butter thick. She described to him what had passed between Miss Pynsent and herself (she didn’t call her Pinnie, and he was glad, for he wouldn’t have liked it) before he came in, and let him know that she should never dare to come to the place again, as his mother would tear her eyes out. Then she checked herself. “But of course she ain’t your mother! How stupid I am! I keep forgetting.” Hyacinth had, as he supposed, from far back cultivated a manner with which he could meet allusions of this kind: he had had first and last so many opportunities to practise it. Therefore he looked at his companion very steadily while he said: “My mother died many years ago; she was a great invalid. But Pinnie has been awfully good to me.” “My mother’s dead too”—Miss Henning was prompt, as if “capping” it. “She died very suddenly. I daresay you remember her in the Plice.” Then, while Hyacinth disengaged from the past the obscure figure of Mrs. Henning, of whom he mainly remembered that she used to strike him as cross and dirty, the girl added, smiling, but with more sentiment, “But I’ve had no Pinnie.” “You look as if you could take care of yourself.” “Well, I’m very confiding,” said Millicent Henning. Then she asked what had become of Mr. Vetch. “We used to say that if Miss Pynsent was your mamma he was your papa. In our family we used to call him Miss Pynsent’s young man.” “He’s her young man still,” Hyacinth returned. “He’s our best friend—or supposed to be. He got me the place I’m in now. He lives by his fiddle, as he used to do.” Millicent looked a little at her companion, after which she observed, “I should have thought he would have got you a place at his theatre.” “At his theatre? That would have been no use. I don’t play any instrument.” “I don’t mean in the orchestra, you gaby! You’d look very nice in a fancy costume.” She had her elbows on the table and her shoulders lifted, an attitude of extreme familiarity. He was on the point of replying that he didn’t care for fancy costumes, he wished to go through life in his own character; but he checked himself with the reflexion that this was exactly what he was apparently destined not to do. His own character? He was to cover that up as carefully as possible; he was to go through life in a mask, in a borrowed mantle; he was to be every day and every hour an actor. Suddenly and with the utmost irrelevance Miss Henning inquired: “Is Miss Pynsent some relation? What gave her any right over you?”