The Printed Book: Its History, Illustration and Adornment: From the Days of Gutenberg to the Present TimeBouchot, Henri
History
The Printed Book: Its History, Illustration and Adornment: From the Days of Gutenberg to the Present Time
Bouchot, Henri
Bookbinding -- History; Books; Books -- History; Illustration of books; Printing -- History
With the importance that cannot be denied to his works, Geoffroy Tory
founded a school; and it was from his workshop that the plates came for
the book of Paulus Jovius on the dukes of Milan, published by Robert
Estienne in 1549, quarto. The portraits of the dukes in this work have
been attributed to Tory himself, but he died in 1533, and there is not
the least indication that he engraved these sixteen portraits with his
own hand sixteen years before their publication. Besides, our doubts as
to the cross of Lorraine being the exclusive signature of Tory, as has
been believed, lead us to think it the collective mark of a workshop,
as we meet it on works long after the death of the master. As a proof,
the mark is found on the engravings of _L'Entrée du Roi à Paris_ in
1549, which cannot be taken as a posthumous work of Tory, for these
engravings had their origin at a certain and special date. But in spite
of the absence of the monogram, the admirable block from the Diodorus
Siculus of Antoine Macault might, from its design and engraving, be
considered as by Tory himself. Holbein, who, about the same time,
designed a somewhat similar scene, the King of France seated on a
throne receiving poison from the hands of Death, never did anything
better. Within the scanty proportions of the design, all the figures
are portraits. Duprat, Montmorency and the three sons of the King may
be recognised; Macault, on the left, is reading his translation to a
circle of nobles and men of letters. This admirable page is one of the
truest and most skilful of the monuments of French engraving; it is
equal to the best inventions of Holbein, and it marks the culminating
point of the illustration of the Book before the exaggerations of the
school of Fontainebleau. Geoffroy Tory was not the publisher. The
Diodorus Siculus, doubtless prepared two or three years before, was not
published until 1535, in quarto, with his ordinary mark of the "Pot
Cassé."
[Illustration: Fig. 52.--Macault reading to Francis I. his translation
of Diodorus Siculus. Wood engraving attributed to Tory.]
Public-domain text, read in full here on John Shaqi.
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