The private life, The wheel of time, Lord Beaupré, The visits, Collaboration, Owen Wingrave.James, Henry
General
The private life, The wheel of time, Lord Beaupré, The visits, Collaboration, Owen Wingrave.
James, Henry
American fiction -- 19th century; Short stories, American
himself that he must look out, and he wondered if poor Vera would also
be insurmountably charmless to the good-looking young man. "But what a
likeness, papa--what a likeness!" he heard her murmur at his elbow with
suppressed excitement.
"How can you tell, my dear, if you haven't seen her?"
"I mean to the gentleman--the son."
Everyone was exclaiming "How wonderfully clever--how beautiful!" and
under cover of the agitation and applause Maurice Glanvil had drawn
nearer the picture. The movement had brought him close to the young man
of whom he had been talking with Vera and who, with his happy eyes on
the painted figure, seemed to smile in acknowledgment of the artist's
talent and of the sitter's charm.
"Do you know who the lady is?" Maurice said to him.
He turned his bright face to his interlocutor. "She's my mother--Mrs.
Tregent. Isn't it wonderful?"
His eyes, his lips, his voice flashed a light into Glanvil's
uncertainty--the tormenting resemblance was simply a prolonged echo of
Fanny Knocker, in whose later name, precisely, he recognised the name
pronounced by the young man. Maurice Glanvil stared in some
bewilderment; this stately, splendid lady, with a face so vivid that it
was handsome, was what that unfortunate girl had become? The eyes, as if
they picked him out, looked at him strangely from the canvas; the face,
with all its difference, asserted itself, and he felt himself turning as
red as if he had been in the presence of the original. Young Tregent,
pleased and proud, had given way to the pressing spectators, placing
himself at Vera's other side; and Maurice heard the girl exclaim to him
in one of her pretty effusions: "How beautiful she must be, and how
amiable!"
"She is indeed--it's not a bit flattered." And while Maurice still
stared, more and more mystified--for "flattered, flattered!" was the
unspoken solution in which he had instantly taken refuge--his neighbour
continued: "I wish you could know her--you must; she's delightful. She
couldn't come here to-day--they asked her: she has people lunching at
home."
"I should be so glad; perhaps we may meet her somewhere," said Vera.
"If I ask her and if you'll let her I'm sure she'll come to see you,"
the young man responded. Maurice had glanced at him while the face of
the portrait watched them with the oddest, the grimmest effect. He was
filled with a confusion of feelings, asking himself half-a-dozen
questions at once. Was young Tregent, with his attentive manner, "making
up" to Vera? was he going out of his way in answering for his mother's
civility? Little did he know what he was taking on himself! Above all
was Fanny Knocker to-day this extraordinary figure--extraordinary in the
light of the early plainness that had made him bolt? He became conscious
of an extreme curiosity, an irresistible desire to see her.
"Oh, papa," said Vera, "Mr. Tregent's so kind; he's so good as to
promise us a visit from his mother."
Public-domain text, read in full here on John Shaqi.
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