The Prose Works of Percy Bysshe Shelley, Vol. 1 [of 2]Shelley, Percy Bysshe
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The Prose Works of Percy Bysshe Shelley, Vol. 1 [of 2]
Shelley, Percy Bysshe
English prose literature
Exquisite harmony, borne on the pinions of the tranquil air, floated
in varying murmurs; it sometimes died away, and then again swelling
louder, in melodious undulations, softened to pleasure every listening
ear.
Every eye which gazed on the fairy scene beamed with pleasure;
unrepressed gaiety filled every heart but Julia’s, as, with a vacant
stare, unmoved by feelings of pleasure, unagitated by the gaiety
which filled every other soul, she contemplated the varied scene.
A magnificent gondola carried the Marchesa di Strobazzo; and the
innumerable flambeaux which blazed around her rivalled the meridian sun.
It was the pensive, melancholy Julia, who, immersed in thought, sat
unconscious of every external object, whom the fierce glance of Matilda
measured with a haughty expression of surprise and revenge. The dark
fire which flashed from her eye, more than told the feelings of her
soul, as she fixed it on her rival; and had it possessed the power of
the basilisk’s, Julia would have expired on the spot.
It was the ethereal form of the now forgotten Julia which first
caught Verezzi’s eye. For an instant he gazed with surprise upon her
symmetrical figure, and was about to point her out to Matilda, when, in
the downcast countenance of the enchanting female, he recognised his
long-lost Julia.
To paint the feelings of Verezzi--as Julia raised her head from
the attitude in which it was fixed, and disclosed to his view that
countenance which he had formerly gazed on in ecstasy, the index of
that soul to which he had sworn everlasting fidelity--is impossible.
The Lethean torpor, as it were, which before had benumbed him; the
charm, which had united him to Matilda, was dissolved.
All the air-built visions of delight, which had but a moment before
floated in gay variety in his enraptured imagination, faded away, and,
in place of these, regret, horror, and despairing repentance, reared
their heads amid the roses of momentary voluptuousness.
He still gazed entranced, but Julia’s gondola, indistinct from
distance, mocked his straining eyeball.
For a time neither spoke: the gondola rapidly passed onwards, but,
immersed in thought, Matilda and Verezzi heeded not its rapidity.
They had arrived at St. Mark’s Place, and the gondolier’s voice, as he
announced it, was the first interruption of the silence.
They started.--Verezzi now, for the first time, aroused from his
reverie of horror, saw that the scene before him was real; and that the
oaths of fidelity which he had so often and so fervently sworn to Julia
were broken.
The extreme of horror seized his brain--a frigorific torpidity of
despair chilled every sense, and his eyes, fixedly, gazed on vacancy.
“Oh! return--instantly return!” impatiently replied Matilda to the
question of the gondolier.
The gondolier, surprised, obeyed her, and they returned.
Public-domain text, read in full here on John Shaqi.
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