The Purchase Price; Or, The Cause of CompromiseHough, Emerson
History
The Purchase Price; Or, The Cause of Compromise
Hough, Emerson
United States -- History -- 1815-1861 -- Fiction
Perhaps thirty or forty slaves were employed about Tallwoods home
farm, as it was called. They did their work much as they liked, in
a way not grudging for the main part. Idle and shiftless, relying
on the frequent absence of the master and the ease of gaining a
living, they worked no more than was necessary to keep up a
semblance of routine. In some way the acres got plowed and reaped,
in some way the meats were cured, in some way the animals were fed
and the table was served and the rooms kept in a semi-tidiness,
none too scrupulous. Always in Tallwoods there was something at
hand ready to eat, and there was fuel whereby fires might be made.
Such as it was, the hospitality of the place was ready. It was a
rich, loose way of life, and went on lazily and loosely, like the
fashion of some roomy old vehicle, not quite run down, but
advancing now and then with a groan or a creak at tasks imposed.
But now, another and most important matter for our note--there was
no woman's hand at Tallwoods. The care was that of servants, of
slaves. When things grew insupportable in their shiftlessness the
master lashed out an order and got what he demanded; then soon
matters sank back again to their old state. None might tell when
the master would ride away, and when gone none could say when he
would return. Since the death of his mother no woman's control had
ruled here, nor, in spite of the busy tongues at the larger cities
above, did there seem likelihood that any would soon share or alter
the fortunes of Tallwoods. Rumors floated here and there, tongues
wagged; but Tallwoods lay apart; and Tallwoods, as commonly was
conceded, had ways of its own.
It was to these remote and somewhat singular surroundings that
there approached, on the evening of a bland autumn day, along the
winding road which followed the little stream, the great coach of
the master of Tallwoods, drawn by four blooded carriage horses,
weary, mud-stained and flecked with foam. At the end of the
valley, where the road emerged from its, hidden course among the
cliffs, the carriage now halted. Dunwody himself sprang down from
the driver's seat where he had been riding in order to give the
occupants of the coach the more room. He approached the window,
hat in hand.
"My dear lady," said he, "this is the end of our journey. Yonder
is my home. Will you not look at it?"
It was a pale and languid face which greeted him, the face of a
woman weary and even now in tears. Hastily she sought to conceal
these evidences of her distress. It was the first time he had seen
her weeping. Hitherto her courage had kept her cold and defiant,
else hot and full of reproofs. This spectacle gave him concern.
His face took on a troubled frown.
"Come now, do not weep, my dear girl,--anything but that."
"What, then, is it you would say?" she demanded. "It makes little
difference to me where you are taking me."
Public-domain text, read in full here on John Shaqi.
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