"Oh, shut up! I'm comin'," bawled the girl in reply. "You better sit
over there by the winder, Mister," she told her visitor, hastily.
"There's a breeze there, maybe. You'll find to-day's paper an' a fan
on the table." She vanished, and he could hear her running
kitchenward, and the shrieking voice subsiding into a whine.
Mr. Chadwick Champneys slumped limply into a chair. Everything he
looked at added to his sense of astonishment and unease.
The outside of the house hadn't lied: the inside matched it. Mr.
Champneys found himself staring and being stared at by the usual
crayon portraits of defunct members of the family,--at least he
hoped they were defunct,--the man with a long mule face and neck
whiskers; and opposite him his spouse, with her hair worn like
mustard-plasters on the skull. "Male and female created He them."
Placed so that you had to see it the moment you entered the
door, on a white-and-gold easel draped with a silkoline scarf
trimmed with pink crocheted wheels, was a virulently colored
landscape with a house of unknown architecture in the foreground,
and mother-of-pearl puddles outside the gate. Mr. Champneys
studied those mother-of-pearl puddles gravely. They hurt his
feelings. So did the ornate golden-oak parlor set upholstered in
red plush; and the rug on the floor, in which colors fought like
Kilkenny cats; and a pink vase with large purple plums bunched on
it; and the figured wall-paper, and the unclean lace curtains,
and the mantel loaded with sorry plunder, and the clothespin
butterflies, the tissue-paper parasols, and the cheap fans tacked
to the walls. It was a hot and dusty room. The smell of bad
cooking, of countless miserable meals eaten by men whose
digestion they would ruin, clung to it and would not be gainsaid.
Mr. Champneys thought the best thing that could happen to such
houses would be a fire beginning in the cellar and ending at the
roof.
His mind went back to another house--an old white house in South
Carolina, set in spacious grounds, with high-ceilinged, cool, large
rooms filled with fine old furniture, a few pictures, glimpses of
brass and silver, large windows opening upon lawns and trees and
shrubs and flowers, a flash of blue river, a vista of green marshes
melting into the cobalt sky. A stately, lovely, leisurely old house,
typifying the stately, leisurely life that had called it into being;
both gone irrevocably into the past. He sighed.
Public-domain text, read in full here on John Shaqi.
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