“Never has artisan treated the objects of his industry with more disgust and aversion. He intended to destroy them, and, in fact, did drown the larger part. This deluge, the memory of which has been conserved by Jews, Greeks and Chinese alike, gave a last deception to the unhappy demiurges, who, aware of the uselessness and ridiculousness of such violence, became discouraged, and fell into an apathy, the progress of which has not been stopped from Noah’s time to our present day, wherein it is extreme. But I see I have advanced too far. The inconvenience of these extensive subjects is the impossibility of remaining within their limits. “Our mind thrown into them resembles yonder sons of the suns, who cross the whole of the universe in one single jump. “Let us return to the earthly paradise, wherein the demiurge had placed the two vases formed by his hand, Adam and Eve. They did not live there alone, between the animals and plants. The spirits of the air, created by the demiurges of the fire, were flowing over and looking at them with a curiosity mixed with sympathy and pity. It was exactly as Jehovah had foreseen. Let us hasten to say, to his praise, he had relied on the genii of the fire, to whom we may now give their true names of Elves and Salamanders, to ameliorate and perfect his clay figures. In his prudence he may have said to himself: ‘My Adam and my Eve, opaque and cemented in clay, are in want of air and light. I have failed to give them wings. But united to Elves and Salamanders, the creations of a demiurge more powerful and more subtle than myself, they will give birth to children, equally originated by light and clay, and who in their turn will have children still more luminous than themselves, till in the end their issue will be equal in beauty to the sons and daughters of air and fire.’ “It must be said he had neglected nothing to attract the eyes of Sylphs and Salamanders in forming Adam and Eve. He had modelled the woman in form of an amphora, with a harmony of curved lines quite sufficient to make him recognised as the prince of geometers, and he succeeded in amending the coarseness of the material by the magnificent charm of the form. For modelling Adam he made use of a less caressing, but more energetic, hand, forming his body with such order, and in such perfect proportions, that, applied later by the Greeks to their architecture, those same ordinances and measures made the beauty of the temples. “You see, my son, that Jehovah applied his best means to render his creatures worthy of the aerial kisses he expected for them. I shall not insist on the care he took with a view of making these unions prolific. The harmony between the sexes is an ample proof of his wisdom in this regard. And surely at the outset he had reason to congratulate himself on his shrewdness and ability.