The Queer, the Quaint and the Quizzical: A Cabinet for the CuriousStauffer, Frank H.
History
The Queer, the Quaint and the Quizzical: A Cabinet for the Curious
Stauffer, Frank H.
Literary curiosa
The most famous of all the brazen heads was that of Roger Bacon, a monk
of the thirteenth century. According to the legend, he spent seven years
in constructing the head, and he expected to be told by it how he could
make a wall of brass around the island of Great Britain. The head was
warranted to speak within a month after it was finished, but no
particular time was named for its doing so. Bacon's man was therefore
set to watch, with orders to call his master if the head should speak.
At the end of half an hour after the man was left alone with the head,
he heard it say, "Time is," at the expiration of another half hour,
"Time was," and at the end of a third half hour, "Time's past," when it
fell down with a loud crash, and was shivered to pieces; but the stupid
servant neglected to awaken his master, thinking that he would be very
angry to be disturbed for such trifles: and so the wall of brass has
never been built.
_Crucifix of Columbus._
Mrs. General Hefferman, of Animas City, is the possessor of a very
interesting and valuable relic, it being no less than the veritable
crucifix which Columbus held in his hand when he landed in America, of
which she has ample documentary evidence, if one accept the witness,
viz: the Catholic Church. It has been in the possession of the missions
and churches of Mexico and California since a very early date; and even
if originally a fraud, it would nevertheless be almost as interesting,
from its great age and as a work of art, as though what is claimed for
it were actually true. Mrs. Hefferman holds it in trust for a religious
order to which her mother belonged, and sacredly believes it a genuine
relic, as claimed. The crucifix itself is of carved wood, of what kind
no one is able to determine. The image of Christ upon it is of carved
ivory. The expression of agony depicted on the countenance and in the
drawn muscles and sunken flesh, as well as the delineation of the
anatomical structure, are triumphs of artistic skill which could not be
surpassed, if equalled, by the best artists of the present
day.—_Durango (Col.) Record._
_Scipio's Shield._
In 1656 a fisherman on the banks of the Rhone, in the neighborhood of
Avignon, drew to shore in his net a round substance in the shape of a
large plate, thickly encrusted with a coat of hardened mud. A
silversmith who happened to be present bought it for a trifling sum. He
took it home, and upon cleaning and polishing it, found it to consist of
pure silver, perfectly round, more than two feet in diameter, and
weighing upwards of twenty pounds. Fearing that such a massive and
valuable piece of plate might awaken suspicion, if offered for sale
entire, he divided it into four equal parts, each of which he disposed
of at different times and places.
Public-domain text, read in full here on John Shaqi.
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