Church history -- Primitive and early church, ca. 30-600 -- Fiction
The city was thronged. Caravans returning from Ephesus had money to
spend. Travelers from the Asian Desert going on to Ephesus wandered
dazed amid the booths and shops, famed for their Tyrian purple damasks
and gold-thread curtains and rugs of goat hair silky as finest fur. The
plaza was a living mass of humanity clothed in brightest colors milling
in endless circlings round the musicians under the central trees, who
were paid by the city to give free entertainment to all visitors. The
balconies of houses overhanging the city square began to open shutters;
and dark eyes were seen above answering lovers’ signals below; but on
the sill of one deep casement sat a girl alone. A rabble had gathered
round a speaker in the city square. The speaker was short of stature,
with thighs that had been lamed in war or accident, but he was clad in
the black silk cloak of a man of distinction, and though his receding
hair showed premature care, his forehead reflected the white light of an
æsthetic; and as he declaimed, his eyes lighted up with a strange fire
of faith. Near the speaker lounged a richly dressed, stout, prosperous
Greek of the merchant class. He was not listening. He was watching with
amused cynicism the changing concentrated expression of the girl’s
intent face in the balcony above. The man twisted at the great emerald
signet ring on his little finger. He clanked the sword dangling in its
jeweled scabbard against the heel of his red morocco high boots. He
stuck his thumbs in the gold sash belting his sky-blue silk jacket. Then
he stroked his oiled curls projecting from the gold-and-blue turban cap.
The girl’s eyes never once glanced his way. They were riveted as on a
life and death messenger towards the little deformed orator round whom
larger crowds were now pressing.
The stout, middle-aged Greek dandy flushed angrily and stepped sharply
up to the house door below the balcony. He lifted the brass knocker and
rapped loudly. The knocker was a great Roman eagle. The door was opened
by a middle-aged woman, clad in rich purple silk, and he was led to an
inner court open to the sky in the middle of the house. A fountain
played in the center of the court, and over the railing of the stone
stairs leading to the chambers off the upper balcony clung vines and
blooming flowers scenting the night air.
“How now, my son, Thamyris?” smiled the middle-aged woman, showing teeth
white as pearls between painted lips, and shaking the black jeweled
pendants in her ears so they seemed part of the curls framing her ivory
face.
“Not son—yet,” answered the man irritably, “unless your daughter Thecla
has eyes for her lover rather than that Jewish babbler ranting in the
square there.”
Public-domain text, read in full here on John Shaqi.
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