France -- History -- Louis XV, 1715-1774 -- Fiction
It was an extraordinary act of courage on the part of a nature
reserved, shy, and socially timid; no one who knew him would have
credited him with it; but he made no confidant of any. When the two
letters were written, sealed, and lying ready for dispatch, Luc, with
a flush like fever in his cheek, took up the pen again and wrote a
third----
To M. de Voltaire.
A thousand hopes and questions rose in his bosom, eager for
expression; but modesty and pride together forbade that he should
put anything intimate before a stranger. He made the subject of his
letter his opinion of Corneille and Racine; he asked the judgment of
the great arbitrator of letters as to the relative merits of the two
geniuses; he expressed the criticism he had conceived on the rival
masters, and begged to know if he was right or wrong. He gave the
address of an inn he knew in Paris, and prayed that the answer might
be sent there, if M. de Voltaire deigned to answer.
He sealed this letter with more agitation than he had felt when
writing either to the King or to the Minister, and with all three in
his pocket went downstairs to post them.
When he reached the hall, he hesitated a moment, then turned into the
sombre withdrawing-room in the front. The candles had just been lit
and the curtains drawn, for, though not late, it was a wet, dreary day.
Round the hearth sat his mother, Joseph’s wife, and Clémence de Séguy;
Joseph was at the clavichord, his father on the sofa with a little
book in his hand.
The tender figures and light dresses of the women were surrounded with
soft shadows from the rosy firelight; Clémence held up a pink silk
hand-screen which cast a full glow of radiant light over her small
sweet features and pale curls.
The pretty whisper of talk was hushed as Luc entered and there was
a second’s pause, caused, though he did not guess it, by the instant
impression of extreme delicacy he made as he stood before the open
door, the candlelight full on him, and behind him the background of
the dark shadows of the hall.
He was unusually pale, and his eyes were too lustrous, too wide and
bright, too deeply shadowed for health. His dark, simple, and rather
careless dress, the plain waves of his smooth hair, accentuated the
impression he made of something uncommon, exceptional; but this sense
of difference was mainly caused by his expression, by a certain smile
and flash in his eyes, by an extraordinary sweetness in the lines of
the mouth and chin, by a proud look of motion in his carriage which
was like swiftness arrested.
His sudden silent appearance made all who gazed at him realize in a
flash his exceeding, uncommon beauty; it was as if they regarded a
stranger, they even felt afraid of him.
He, all unconscious, came to the table where his mother’s tambour
frame lay, and affectionately turned over the lengths of silks.
“How quickly you work!” he smiled.
Public-domain text, read in full here on John Shaqi.
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