The gentleman was unusually tall and of an unusual grace and perfect balance in his walk. He was wrapped in the close, elegant folds of a fine fawn cloth cloak, and wore a black hat pulled well over his eyes. He approached the door and, putting out a hand gloved in white doeskin, knocked four times in succession. At this moment the coffin-bearers, with a slow, steady, silent step, had reached the point where he stood, and he, all unconscious, stepped backwards and looked up at the windows of the house where he sought admission (which were all in darkness), and in so doing ran against the foremost man and the foot of the coffin. The street was narrow indeed at this place, and the men, in endeavouring to avoid a collision, made a misstep and thrust the gentleman against the wall with the side of the coffin. He gave a cry that Luc heard distinctly--a terrible sound of terror, amaze, and despair--and threw up his hands, dropping the cane he carried. The coffin-bearers recovered their balance and passed on muttering, but the gentleman remained crouching against the wall, staring after them, with no effort to move. His terror was so evident and so incomprehensible that Luc held his breath to watch. The stranger’s hat had fallen off, and his full powdered curls were uncovered. Luc could see his breast heaving and his hands clutching at the wet wall behind him. Presently he raised his face and flung back his head, as if he were faint or gasping for breath. The garish lamplight fell full on his countenance, which gave Luc a genuine start of surprise. It was the most perfectly beautiful, the most attractive face he had ever seen in man or woman, in painting or sculpture, or, indeed, ever imagined. M. de Richelieu’s charm was as nothing compared to the grandeur of this face, which seemed to hold the flower and perfection of human loveliness even now, when the eyes were closed and the colouring hidden by the ill-light. The expression of the man was as remarkable as his beauty. Luc had never seen such anguish, such fear, such utter terror on any countenance of all the dying and dead he had ever looked on in the war; it was a haunted look--the look a poet might conceive for a damned soul. After a full moment the man pulled himself together with a long shudder and knocked again desperately. This time the door was opened almost instantly, and he staggered into the house, leaving his cane and hat on the cobbles. A second after the door was opened again and a servant stepped out, picked up the beaver and cane, retired, and softly closed the door. The curious little incident seemed over. Luc stepped back into his room, now in total darkness, and was about to call for candles when the window directly opposite suddenly flashed full of crystal light.