Thomas Jefferson entered and placed his chair so that she could not see
him without turning, and for many minutes the silence was unbroken. Then
he began, as begin he must, sometime and in some way.
"Mammy," he said, feeling unconsciously for the childish phrase, "Mammy,
has Uncle Silas been telling you anything about me?"
She gave a little nod of assent.
"Something, Thomas, but not a great deal. You have had some trouble with
Doctor Tollivar?"
"Yes."
"I have known that for some little time. Your uncle might have told me
more, but I wouldn't let him. There has never been anything between us
to break confidence, Tom. I knew you would tell me yourself, when the
time came."
"I have come to tell you to-night, mammy. You must hear it all, from
beginning to end. It goes back a long way--back to the time when you
used to let me kneel with my head in your lap to say my prayers; when
you used to think I was good...."
The fire had died down to a few glowing masses of coke on the grate bars
when he had finished the story of his wanderings in the valley of dry
bones. Through it all, Martha Gordon had sat silent and rigid, her thin
hands lying clasped in her lap, and her low willow rocking-chair barely
moving at the touch of her foot on the fender.
But when it was over; when Tom, his voice breaking in spite of his
efforts to control it, told her that he could walk in the way she had
chosen for him only at the price a conscious hypocrite must pay, she
reached up quickly and took him in her arms and wept over him as those
who sorrow without hope, crying again and again, _"O my son Absalom, my
son, my son Absalom! would God I had died for thee, O Absalom, my son,
my son!"_
XVIII
THE AWAKENING
Once in a lifetime for every youngling climbing the facile or difficult
slope of the years there comes a day of realization, of a sudden
extension of vision, of Rubicon-crossing from the hither shore of joyous
and irresponsible adolescence to that further one of conscious
grapplings with the adult fact.
Public-domain text, read in full here on John Shaqi.
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