The quilt of happiness; Creeping Jenny; and other New England storiesWiggin, Kate Douglas Smith
General
The quilt of happiness; Creeping Jenny; and other New England stories
Wiggin, Kate Douglas Smith
New England -- Social life and customs -- Fiction; Short stories, American
He showed no signs of "taking sick" however, and it seemed, in his
frenzy for improvements, that the Evil One had selected him as a
victim. The color of the new paint on the house did not please a
single inhabitant of the village, and what was even more regrettable,
it did not suit Matthew himself. It was far too green, and the
bright yellow blinds suggested by the artist who was doing the work,
were felt by all to be a public insult. The fence, too, had to be of
the same colors, either separate or mixed, as there was plenty of
paint for the purpose, and the scenery in the vicinity, on a bright
day in late August, sank into insignificance as compared with the
Milliken premises when finished. The misguided youth had screened in
the little piazza with wire netting and put a high-power electric
bulb in the ceiling.
"He ain't intendin' to do no courtin' there, that's one thing
certain," said Maria Snow. "I guess he's goin' to read the Portland
papers out loud to Undine summer evenin's. He's planned light enough
to see the small print in the telephone directory."
He took out the beautiful Colonial front door with the fanlight over
it, always greatly admired by summer visitors, and installed one of
stained pine with a large square of glass in it adorned with inside
curtains of Nottingham lace tied back with yellow ribbons. That was
Maria Snow's idea.
"It looks dressy," she said, "and if you're goin' to keep up with the
procession, you've got to keep up, that's all; though I do think,
Matthew, you might have left your grandfather's stone steps, if only
for the sake of the old toad that's lived under 'em for fifty years
to my certain knowledge."
The stone steps were worn and chipped, however, and had settled down
on one side, while the path to the front door was not the kind
suitable for high-heeled slippered feet, so steps and walk were
changed to cement, smooth, dry, and hideously inappropriate to the
little farmhouse.
"There's folks say you're goin' to be married, Matt, with all these
improvements," said Bill one day.
"Well, mebbe I be," Matt said laconically, "and mebbe mother and me
are goin' to take boarders. The neighbors can take their choice."
Then came a day when the workmen picked up their tools and left, and
Maria Snow swept and scrubbed and cleaned up after them, and Matt
went out in the barn and filled his pipe and tilted his chair back
and took an hour to think for the first time in two months. For days
he had tried the new kitchen pump every few hours, for Bill had
declared it would never work right, since the well was ten feet lower
than the sink, and it stood to reason that water wouldn't run uphill.
This exercise was varied by the experimental turning on and off of
sixteen electric lights in barn and house, including the parlor
chandelier, which always had a hypnotic effect on him when he sat on
the haircloth sofa and gazed fixedly at it for some moments.
Public-domain text, read in full here on John Shaqi.
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