"What do you think I mean?" her dark eyes held an unfathomable
expression, one that could not fail to stir his blood with excitement,
with wonder and confusion; she held her head very high and her
complexion flushed beneath the rouge; "when we are all damned together
each shall know perhaps what the other meant, not before."
With an air of bright and deep passion she moved towards the door; it
seemed that she would leave without another word, nor did he offer to
detain her, though his curious gaze was eagerly on her; but abruptly
she stopped and looked back.
"Are you not grown up yet, Marius?" she said wildly and softly.
He stood perfectly still and she held out her hand.
"Good-bye, Captain Lyndwood," she said quietly. "I will not ask you to
see me to my carriage."
He began some hot reply, but was interrupted; Susannah Chressham
entered.
"You, madam!" she said, sincerely surprised.
The Countess gave her a veiled glance.
"I am taking my departure, madam. I had a fancy to come in, but it is
too late to stay."
She lifted the heavy skirt off the twinkling paste on her shoes;
certainly the most composed of the three.
"I sang to Captain Lyndwood!" actually she laughed; "and he never
commended it! What are our gallants coming to? Good-night, madam; _au
revoir_, sir."
She curtsied and was gone.
Miss Chressham stared at her cousin.
"What is this, Marius? she has not been here for months; and the hour
and the manner of her leaving!"
"I do not know anything of it," said Marius shortly.
Miss Chressham crossed to the spinet.
"How dare she play my instrument!" the fair countenance was angry. "And
come here in this manner to my lady's house?"
"I do not know," said Marius again, staring at the floor.
Susannah looked up at him sharply.
"I think you had better go to Paris," she said slowly.
CHAPTER II
BEDCHAMBER PLOTS
The Countess Lavinia sat by the heavily curtained window, her hands
idle in her lap; she wore a loose, slightly soiled white mob; her hair
in front was twisted into paper curlers and hung straightly down her
back behind, her bare feet were thrust into low blue slippers, and a
fat little dog lay asleep on the edge of her striped petticoat.
It was nearly midday, and the glaring sunshine without beat on the
yellow blind and cast a close dun light into the large dark chamber,
which was handsomely furnished and luxuriously untidy; on the inlaid
dressing-table beside the Countess a cup of cold chocolate and a plate
of Naples cakes stood among curling-irons, pots of rouge, and bottles
of Hungary water; a bunch of dead flowers lay on the floor and a broken
fan; over the back of a painted chair hung silk and velvet garments,
and a black mask dangled from them by its fall of lace.
Public-domain text, read in full here on John Shaqi.
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