Frontier and pioneer life -- Ontario -- Fiction; Ontario -- History -- Fiction
The canoe slid delicately forward till presently it floated in the tiny
lock. Naqua said nothing, being seized by an enormous fear that
clutched at her stringly throat and held her silent, but Shingwauk felt
something stirring in his breast. Here, surrounded by the confused
vibrations of the works, he resigned himself to ancient memories.
Putting out a brown hand he touched the rough walls, and at the touch
the year rolled back. He saw himself a young man, the bow paddle of a
great thirty-foot canoe that came down through the broken waters of the
big lake to the rapids above, with the Hudson Bay factor enthroned in
the middle, surrounded by the precious takings of the winter. He saw
Ojibway faces, now long forgotten, and smelt the smoke of vanished camp
fires. He saw the thirty-foot canoe lowered delicately into just such
a lock as this, and automatically thrust out his own paddle to protect
her tender tawny sides from the rough masonry. The hewn gates had
opened when he floated out, and here were the gates looking
non-understandably new, and with the adze marks still on the yellow
timber.
Involuntarily he cast about for the blockhouse and found it hard by.
He looked at his own hands--they were knotted and wrinkled; he scanned
the twelve-foot canoe--it seemed small and hastily built of poor bark;
he stared at the back of Naqua and reflected how bent and rounded it
was instead of being straight and strong and supple; he glanced up and
where once there stretched green bush and small running streams now
stood things bigger than he had ever seen; he sniffed at the wind and,
without knowing what it was, caught the sharp odor of metal and
machinery. Last of all, he lifted his gaze straight into the eyes of a
man who stood staring down from the coping of the little lock.
From the blockhouse window Clark had seen him since first the canoe
approached the shore. With a curious thrill he had watched the old
chief enter the tiny chamber and float motionless--a visitant from the
past. So complete was the picture and so almost poignant the pleasure
it afforded, that, loath to mar it, he had hesitated to approach.
Never had he conceived anything so intimately appropriate as this
linking of bygone days with the insistent present.
They stared at each other, Clark's keen features suffused with
interest, Shingwauk's black eyes gazing lustrous from a dark bronze
face seamed with innumerable wrinkles. His visage was noble with the
proud wisdom of the wilderness and the unnamable shadow of traditions
that went back through uncounted centuries of forest life. Clark,
recognizing it, felt strangely juvenile. Presently Shingwauk, with
some subtle intuition of who and what was the man who stood so quietly,
waved his hand. The motion took in the works, the blockhouse, the
canal, in short the entire setting.
"You?" he asked in deep, hollow tones.
Clark nodded, smiling. "Yes, me."
Public-domain text, read in full here on John Shaqi.
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