So Bertram Chester went on, the easy familiar of the Tiffany establishment, the contriver of Mrs. Tiffany's household assistances, and the devoted follower of Eleanor. He never referred in any way to the scene on the restaurant balcony; he did nothing formally to press his suit. Indeed, his occasional air of gentle diffidence puzzled and amused her. She had a queer sense, when she beheld him so, that she liked it in him less than some of his old uncouthness, and only a trifle better than such roughness of the heart as that passage with the Chinese waiter. This new attitude was loose in the back, tight across the shoulders, short in the seams--it was not made to fit Bertram Chester. When he launched out into rudimentary art criticism, stringing together the stock slang which he had picked up in the studios, when he tried to impress her with his refined acquaintance, his progress toward "society" of the conventional kind, her amusement took another turn in the circle of emotion, and became annoyance. In general company, he reverted to type. At their home dinners, when wine and good fare had lit the fires of his animal spirits, he still told his rambling, half-boastful stories of the cow country and of College times, or laid before these home-stayers the gossip of the town. That manner of his, always more compelling than either his substance or his words, carried the plainest story; and he had at least the art of brevity. One laughed when he laughed, catching from his spirit the humorous idea, even when its expression failed on the tongue. Voice and gesture and an inner appreciation which he could flash instantly to his tongue contributed to these dazzling effects. His new-made friends of the artistic set used to tell him, "If you could only write down your stories--what humor, what action!" Mark Heath, with the information of a room mate, the judging eye of a half-disillusionized friend and the cynicism of a young journalist, was first to perceive that a stenographer concealed to transcribe his talk would get only barren words. In his fading and declining years, Judge Tiffany leaned more and more upon Eleanor, his business partner. Now it had come spring. The trees were in bud along the Santa Clara. They must begin preparing for the season. The family did not move to the ranch until apricot picking was afoot; but from now on either Judge Tiffany or Eleanor would run down every week to watch the trees and to oversee the Olsen preparations for harvest time. Purchase of supplies and the business of selling last year's stock, held over for a rise in German prices, kept Eleanor busy.