Man-woman relationships -- Fiction; San Francisco (Calif.) -- Fiction
"Oh, something I want to show someone," answered Kate after a
momentary pause. Mrs. Waddington knew from old times the hidden
meaning of that pause. Just so, when at the age of seven they had
caught her in the sugar-bowl, Kate had paused before starting her
ready explanation. She had never overcome it; and her mother was the
last person likely to acquaint her with that flaw of method.
"It's from Alice Johnstone, I judge by the handwriting," continued
Mrs. Waddington.
"Oh, I guess so," responded Kate. She made rapidly for the door. "Good
night, mother. I'll be home to-night, but rather late."
"Thank you for small favors--" but Kate was gone.
Sanguinetti's held a place in the old city no less definite than that
of Zinkand's or the Poodle Dog. In the beginning a plain Italian
restaurant, frequented by the Italian fishermen whose sashes made so
bright the water front and whose lateen sails, shaped by the swelling
wind like a horse's ear, gave delight to the bay, it had existed since
the Neapolitans came to drag the Pacific with their nets. Painters and
art students from the attics of the Quarter "discovered" it. When they
made a kind of Bohemia about it, "the gang" of tawdry imitators and
posing professional Bohemians followed as a matter of course. That
invasion put it on the fair way toward failure. But Sanguinetti's
saved itself by dropping one degree lower. "South of Market"
discovered it. That district is somewhat to San Francisco as the East
Side to New York, though with an indescribable difference. Then came
the milliner's apprentice who slaved all the week that she might
brighten the "line" on Saturday afternoon, with the small clerk, her
companion or the butcher-boy her beau. There came also the little
people of the race track, as jockies out of a job, touts, bookmakers'
apprentices--tawdry people mainly, but ever good-humored and ready to
loosen restraint of custom after the second quart of Steve
Sanguinetti's red wine. So this place came to have an air of loose,
easy, half-drunken camaraderie, which seldom fell into roughness. It
was the home of noise and song and easy flirtations which died at the
door. When this transformation was fully accomplished, the painters
and art students and seekers after "life" came back again. This time,
they did not spoil its flavor. The fishermen had been shy folk who
fled from the alien invasion; no shyness about South-of-Market people
on a holiday!
Public-domain text, read in full here on John Shaqi.
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