Alexandra, Empress, consort of Nicholas II, Emperor of Russia, 1872-1918
If the Empress were guilty of any glaring weakness, it was,
paradoxically, that of stubbornness. She did not allow any interference
in what she considered her own province. Her grandmother and the Prince
Albert had tolerated none; her distant connection, Princess Clementine
of Coburg, was ultra-obstinate; another of her connections, Ferdinand of
Bulgaria, has also manifested the Coburg peculiarity. It is an
interesting psychological study: in some of the family this trait is
manifest in their undeviating pursuit of worldly ambition, in others it
is apparent in their views of morality and domesticity. In the case of
the Empress, morality, domesticity and religion were subjects in which
she brooked no contradiction.
Had the Emperor been less religious, he might have (from a worldly point
of view) influenced his wife to have seen less of Rasputin. But he made
no attempt to interfere with her on religious questions, remembering
perhaps how wholly she had relinquished the faith of her fathers to
embrace his own. The Empress has been accused of contributing to the
downfall of Russia through her association with Rasputin. The finger of
scorn and hatred has pointed at her, and an almost universal voice has
cried, “Thou art the Woman.” But history, if not always just, is at
least generous, and it may be that Alexandra Feodorovna will one day be
given the benefit of the doubt, and allowed to appeal against the
sentence which has been passed on her. For many years prior to her
advent as Empress of Russia, the movement for Freedom had been slowly
but surely spreading over the entire country, and the creation of the
Duma strengthened public opinion. But certain
Revolutionaries--themselves as evil as their prototypes in the French
Revolution--did not scorn to employ base agents in order to attain their
base ends. These men used Rasputin--with what result is now apparent.
But have the murders of Rasputin and the Empress cleansed Russia and
enabled it to be rechristened Utopia?
The ashes of Rasputin are scattered to the four winds, the blood of the
innocent cries aloud to Heaven for vengeance; but Russia--drunken with
carnage, liberated from her ancient yoke, and delivered of her
rulers--has as yet only produced Robespierres.
CHAPTER VI
Public-domain text, read in full here on John Shaqi.
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