The Red and the Black: A Chronicle of 1830Stendhal
General
The Red and the Black: A Chronicle of 1830
Stendhal
Ambition -- Fiction; Bildungsromans; Church and state -- Fiction; France -- Fiction; Young men -- France -- Fiction
Ever since Madame Derville's arrival, Julien thought that she was his
friend; he took the first opportunity of showing her the view from the
end of the new avenue, under the walnut tree; as a matter of fact it is
equal, if not superior, to the most wonderful views that Switzerland
and the Italian lakes can offer. If you ascend the steep slope which
commences some paces from there, you soon arrive at great precipices
fringed by oak forests, which almost jut on to the river. It was to the
peaked summits of these rocks that Julien, who was now happy, free, and
king of the household into the bargain, would take the two friends, and
enjoy their admiration these sublime views.
"To me it's like Mozart's music," Madame Derville would say.
The country around Verrières had been spoilt for Julien by the jealousy
of his brothers and the presence of a tyranous and angry father. He
was free from these bitter memories at Vergy; for the first time in
his life, he failed to see an enemy. When, as frequently happened, M.
de Rênal was in town, he ventured to read; soon, instead of reading at
night time, a procedure, moreover, which involved carefully hiding his
lamp at the bottom of a flower-pot turned upside down, he was able to
indulge in sleep; in the day, however, in the intervals between the
children's lessons, he would come among these rocks with that book
which was the one guide of his conduct and object of his enthusiasm. He
found in it simultaneously happiness, ecstasy and consolation for his
moments of discouragement.
Certain remarks of Napoleon about women, several discussions about the
merits of the novels which were fashionable in his reign, furnished him
now for the first time with some ideas which any other young man of his
age would have had for a long time.
The dog days arrived. They started the habit of spending the evenings
under an immense pine tree some yards from the house. The darkness was
profound. One evening, Julien was speaking and gesticulating, enjoying
to the full the pleasure of being at his best when talking to young
women; in one of his gestures, he touched the hand of Madame de Rênal
which was leaning on the back of one of those chairs of painted wood,
which are so frequently to be seen in gardens.
The hand was quickly removed, but Julien thought it a point of duty
to secure that that hand should not be removed when he touched it.
The idea of a duty to be performed and the consciousness of his
stultification, or rather of his social inferiority, if he should fail
in achieving it, immediately banished all pleasure from his heart.
CHAPTER IX
AN EVENING IN THE COUNTRY
M. Guérin's Dido, a charming sketch!--_Strombeck_.
Public-domain text, read in full here on John Shaqi.
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