The red laugh: fragments of a discovered manuscriptAndreyev, Leonid
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The red laugh: fragments of a discovered manuscript
Andreyev, Leonid
Russian fiction -- Translations into English
"They were all sleeping around the smouldering fires--sleeping
peacefully, as if they were at home in their beds. We hacked about
us for more than an hour, and only a few had time to awake before
they received their death-blow. They howled, and of course begged for
mercy. They used their teeth. One bit off a finger on my left hand,
with which I was incautiously holding his head. He bit off my finger,
but I twisted his head clean off: how do you think--are we quits? How
they did not all wake up I cannot imagine. One could hear their bones
crackling and their bodies being hacked. Afterwards we stripped all
naked and divided their clothes amongst ourselves. My friend, don't get
angry over a joke. With your susceptibility you will say this savours
of marauding, but then we are almost naked ourselves; our clothes are
quite worn-out. I have been wearing a woman's jacket for a long time,
and resemble more a ... than an officer of a victorious army. By the
bye, you are, I believe, married, and it is not quite right for you
to read such things. But ... you understand? Women. D--n it, I am
young, and thirst for love! Stop a minute: I believe it was you who
was engaged to be married? It was you, was it not, who showed me the
portrait of a young girl and told me she was your promised bride?--and
there was something sad, something very sad and mournful underneath
it. And you cried. That was a long time ago, and I remember it but
confusedly; there is no time for softness at war. And you cried. What
did you cry about? What was there written that was as sad and mournful
as a drooping flower? And you kept crying and crying.... Were you not
ashamed, an officer, to cry?
"... The crows are cawing. Do you hear, friend, the crows are cawing.
What do they want?"
Further on the pencil-written lines were effaced and it was impossible
to decipher the signature. And strange to say the dead man called forth
no compassion in me. I distinctly pictured to myself his face, in which
all was soft and delicate as a woman's: the colour of his cheeks,
the clearness and morning freshness of the eyes, the beard so bushy
and soft, that a woman could almost have adorned herself with it. He
liked books, flowers and music, feared all that was coarse, and wrote
poetry,--my brother, as a critic, declared that he wrote very good
poetry. And I could not connect all that I knew and remembered of him
with the cawing crows, bloody carnage and death.
... The crows are cawing....
And suddenly for one mad, unutterably happy instant, I clearly saw
that all was a lie and that there was no war. There were no killed,
no corpses, there was no anguish of reeling, helpless thought. I was
sleeping on my back and seeing a dream, as I used to in my childhood:
the silent dread rooms, devastated by death and terror, and myself with
a wild letter in my hand. My brother was living, and they were all
sitting at the tea-table, and I could hear the noise of the crockery.
... The crows are cawing....
Public-domain text, read in full here on John Shaqi.
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