The truth was that only in the nick of time had he, by a happy miracle of ingenuity, invented a way of ruining the photograph. The absolute necessity for its ruin had presented itself to him rather late in the proceedings, when the photographer had already finished arranging the hands and shoulders of everybody in an artistic pattern. The photograph had to be spoilt for the imperative reason that his mother, though she never read a newspaper, did as a fact look at a picture-newspaper, _The Daily Film_, which from pride she insisted on paying for out of her own purse, at the rate of one halfpenny a day. Now _The Daily Film_ specialized in theatrical photographs, on which it said it spent large sums of money: and Edward Henry in a vision had seen the historic group in a future issue of the _Film_. He had also, in the same vision, seen his mother conning the said issue, and the sardonic curve of her lips as she recognized her son therein, and he had even heard her dry, cynical, contemptuous exclamation: "Bless us!" He could never have looked squarely in his mother's face again if that group had appeared in her chosen organ! Her silent and grim scorn would have crushed his self-conceit to a miserable, hopeless pulp. Hence his resolve to render the photograph impossible. "Perhaps I'd better take another one?" the photographer suggested, "though I think Mr.--er--Machin was all right." At the supreme crisis the man had been too busy with his fireworks to keep a watch on every separate eye and mouth of the assemblage. "Of course I was all right!" said Edward Henry, almost with brutality. "Please take that thing away, as quickly as you can. We have business to attend to." "Yes, sir," agreed the photographer, no longer victorious. Edward Henry rang his bell, and two gentlemen-in-waiting arrived. "Clear this table immediately!" The tone of the command startled everybody except the gentlemen-in-waiting and Mr. Seven Sachs. Rose Euclid gave vent to her nervous giggle. The poet and Mr. Marrier tried to appear detached and dignified, and succeeded in appearing guiltily confused--for which they contemned themselves. Despite this volition, the glances of all three of them too clearly signified "This capitalist must be humoured. He has an unlimited supply of actual cash, and therefore he has the right to be peculiar. Moreover, we know that he is a card." ... And, curiously, Edward Henry himself was deriving great force of character from the simple reflection that he had indeed a lot of money, real available money, his to do utterly as he liked with it, hidden in a secret place in that very room. "I'll show 'em what's what!" he privately mused. "Celebrities or not, I'll show 'em! If they think they can come it over me--!" It was, I regret to say, the state of mind of a bully. Such is the noxious influence of excessive coin!