The Relentless CityBenson, E. F. (Edward Frederic)
General
The Relentless City
Benson, E. F. (Edward Frederic)
British -- United States -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Upper class -- Fiction
All the afternoon motor-cars, bicycles, carts, tandems, brakes, were
arriving, for though it was a quiet Sunday, Mrs. Palmer, it was
well-known, liked to see a few friends about teatime, who usually
stopped for dinner, and before evening it was as if the Revels
were extended a day longer. The weather was extremely hot, and in
consequence dinner was served in the great marquee on the terrace.
Among others, Mrs. Emsworth had come with those of her company who were
to act that night in the theatre. The _petit saleté_ to be produced
had never been presented on any stage before, the Lord-Chamberlain of
England, with a fatherly regard for the morals of the nation entrusted
to him, having deemed that it was too _sale_; and, as a matter of fact,
Mrs. Emsworth rather embraced this opportunity of playing it before
a private audience, with a view to seeing whether her public in New
York, with their strange mixture of cynical indifference to anything
but money, and the even stranger survival of the Puritan spirit, which
crops up every now and then as some rare border plant will crop up
among the weeds and grasses of a long overgrown garden, would be likely
to swallow it. She herself was a little nervous of presenting it there.
Bilton, on the other hand, who might be supposed to know the taste of
the patrons for whom he catered so successfully, thought it would be an
immense success.
'After all, Paris loved it,' he said, as he had a few words with her
when they went up to dress for dinner. 'And what is bad enough for
Paris is good enough for New York. You may take my word for it that
what Paris swallows America will gobble.'
'You mean they are more--more emancipated here?'
'Not at all, but that they are eager to accept anything that has been a
success in London or Paris. Why, I produced "Dram-drinking" here. Dead
failure. I took it to London, where it ran well, and brought it back
here. Tremendous success. We Americans, I mean, are entirely devoid
of artistic taste. But we give our decided approbation to what other
people say is artistic, which, for your purpose and mine, is the same
thing. Left to ourselves, we like David Harum. I produce "Hamlet" here
next week. The house is full for the next month. But alter the name
and say it is by a new author, and it won't run a week. The papers, to
begin with, would all damn it.'
'But the critics. Do you mean they don't _know_ "Hamlet"?'
'There are no critics, and they don't know anything. They are violent
ignoramuses who write for unreadable papers.'
'Then why do you ever consider them?'
'Because they are not critics, and because in New York everyone reads
the unreadable. This is my room--you are next door, I think.'
'I shan't come to dinner,' she said. 'I am rather tired. By the way, is
that large, beautiful girl Mrs. Palmer's daughter?'
'Probably. Why?'
'Will she be at the play to-night?'
'Probably. Why?'
Mrs. Emsworth frowned.
'It is not fit,' she said.
Public-domain text, read in full here on John Shaqi.
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