The Renascence of Hebrew Literature (1743-1885)Slouschz, Nahum
Religion
The Renascence of Hebrew Literature (1743-1885)
Slouschz, Nahum
Hebrew literature, Modern -- History and criticism
In his first attempts at poetry, Lebensohn did not depart greatly from
the achievements of the many Rabbinical students whose favorite pastime
was to discuss the events of the day in Hebrew verse. An elegy to the
memory of a Rabbi, an ode celebrating the equivocal glory of a Polish
nobleman, and similar subjects, were the natural choice of the muse of
the era, and the early flights of our author were not different. There
was nothing in them to betray the future poet of merit. A little later
he took up the study of German, but his knowledge of the language was
never more than superficial. Haunted by the fame of Schiller, he devoted
himself to poetry, and imitated the German poets, or tried to imitate
them, for he never succeeded in grasping the true meaning of German
poetry, nor in understanding erotic literature. To the Rabbinical
student, with his puritanic spirit and austere manners, it was a
collocation of poetic figures of speech and symbolic expressions.
His life differed in no wise from that of the poor Jews of the ghetto.
Given in marriage early by his father, he suddenly found himself deep in
the bitter struggle for existence, before he had known the transport of
living, or youth, or the passions, or love, or the inner doubts and
beliefs that contend with one another in the heart of man. Feeling for
nature, aesthetic delights, were strange provinces to this son of the
ghetto. A conception of art that is destitute of a moral aim would have
passed his understanding and his puritanic horizon. Too much of a free-
thinker to follow the Rabbinical profession, he taught Hebrew to
children--an unremunerative occupation, and little respected in a
society in which the most ignorant are not uninstructed, and in which,
the choice of vocations being restricted, the unsuccessful and the
unskilled naturally drop into teaching. Ten years of it, daily from
eight in the morning until nine at night, undermined his health. He fell
sick, and was compelled to give up his hap-hazard calling, to the great
gain of Hebrew poetry. He went into the brokerage business, and his
small leisure he devoted to his muse. Harassed by petty, sordid cares,
this broker was yet a genuine idealist, though it cannot be maintained
that Lebensohn was of the stuff of which dreamers are made and great
poets. But in his mind, rationalistic and logical to the point of
dryness, there was a secluded recess pervaded with melancholy and real
feeling. The Hebrew language he cherished with ardent and exalted love.
Is it not a beautiful language and admirable? Is it not the last relic
saved from the shipwreck in which all the national possessions of our
people were lost? And is not he, Lebensohn himself, the heir to the
prophets, the poet laureate and high priest to the holy language? With
what pride he unveils the state of his soul to us:
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