And true to his word, he stopped her at the wide doorway of the concert
hall, fully five minutes before the hour, and they found themselves
joining the slow stream of men and women and children that was pouring
up the wide, dingy stairway. Everyone was trying, in all good humor, to
press ahead of everyone else, inspired with the sudden agonizing
conviction that in the next two minutes every desirable seat would
certainly be gone. Even Sidney, familiar as she was with every grand
opera house in the world, felt the infection, and asked rather
nervously if any of the seats were reserved.
"Don't worry; we'll get seats," said the imperturbable Barry, and
several children in their neighborhood laughed out in sudden exquisite
relief.
Seats indeed there were, although the front rows were filling fast, and
all the aisle-chairs were taken by squirming, restless small children.
Mrs. Burgoyne sat down, and studied the hall with delighted eyes. It
was ordinarily only a shabby, enormous, high-ceiled room, filled with
rows of chairs, and with an elevated stage at the far end. But, like
all Santa Paloma, it was in holiday trim to-night. All the
windows--wide open to the summer darkness--were framed in bunting and
drooping flowers, and on the stage were potted palms and crossed flags.
Great masses of bamboo and California ferns were tied with red, white
and blue streamers between the windows, and, beside these decorations,
which were new for the occasion, were purple and yellow banners, left
from the night of the Native Sons' Grand Ball and Reception, a month
ago, and, arched above the stage the single word "Welcome" in letters
two feet high, which dated back to the Ladies of Saint Rose's Parish
Annual Fair and Entertainment, in May. If the combined effect of these
was not wholly artistic, at least it was very gay, and the murmur of
voices and laughter all over the hall was gay, too, and gay almost to
intoxication it was to hear the musicians tentatively and subduedly
trying their instruments up by the piano, with their sleek heads close
together.
Presently every chair in the house had its occupant, and the younger
element began a spasmodic sort of clapping, as a delicate hint to the
agitated managers, who were behind the scenes, running blindly about
with worn scraps of scribbled paper in their hands, desperately
attempting to call the roll of their performers. When Joe, the janitor,
came out onto the stage, he was royally applauded, although he did no
more than move a tin stand on which there were numbered cards, from one
side of the stage to the other, and change the number in view from "18"
to "1."
Public-domain text, read in full here on John Shaqi.
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