Railroads -- United States -- Design and construction -- Fiction; Western stories
“Hello!” cried Young Van. “What’s this? What are you doing with that
gun?”
“I took it away from this man. He was hiding out there behind a
pile of bones. I reckon he was trying to get away when his horse went
lame and the daylight caught him.”
[Illustration: “‘You go back to your quarters.’”]
“What has he to say for himself?”
“It’s a ---- lie!” growled the stranger. “I was riding in to ask for a
job, an’ I hadn’t more’n set down to rest--”
“You ride by night, eh?”
“Well--” the stranger hesitated--“not gen’ally. But I was so near--”
“Here, here!” cried Old Van. “What’s all this talk about? I guess you
know what to do with him. Get about it.”
“What do you mean by that?” cried Young Van, flushing.
“What do I mean by it? What is generally done with horse thieves?”
The stranger blanched. “You call me a--”
But Young Van checked him. “We don’t know that he is a horse thief.”
“I do, and that’s enough. Charlie, take him off, and make a clean job
of it.”
“Charlie,” cried Young Van, “stay where you are!” He turned hotly on
his brother. “The worst we have any reason to believe about this man
is that he put up that placard.”
“Well, doesn’t that prove him one of the gang?”
“We have no proof of anything.”
“You keep out of this, Gus! Charlie, do as I tell you.”
Charlie hesitated, and looked inquiringly at the younger engineer.
This drove Old Van beyond reason. He suddenly snatched the revolver
from the cook, shouting angrily: “If you won’t obey orders, I’ll see
to it myself!”
But Young Van, with a quick movement, gripped the weapon, bent it back
out of his brother’s grasp, snapped it open, ejected the cartridges,
and silently returned it. Old Van held it in his hand and looked at
it, then at the five cartridges, where they had fallen on the ground.
Then, with an expression his brother had never before seen on his
face, he let the weapon fall on the ground among the cartridges, and
walked away to the headquarters tent.
“Charlie,” said Young Van, “keep this man safe until the sheriff comes
back.”
“All right, sir,” Charlie replied.
The cook turned away with his prisoner, and Young Van’s eyes sought
the ground. He had almost come to blows with his brother, and that
before the men, about the worst thing that could have taken place. The
incident seemed the natural culmination of these days of depression
and pulling at odds.
“It looks like the sheriff coming in now, sir.”
Young Van started and looked up. Charlie, still grasping the stranger,
was pointing down the track, where a troop of horsemen could be seen
approaching. They drew rapidly nearer, and soon the two leaders could
be distinguished. One was unmistakably Bowlegged Bill Lane. The other
was a slender man, hatless, with rumpled hair, and a white
handkerchief bound around his forehead. Young Van walked out to meet
them, and saw, with astonishment, that the hatless rider was Paul
Carhart; and never had face of man or woman been more welcome to his
eyes.
Public-domain text, read in full here on John Shaqi.
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